
The very same expertise (teaching and music) that made the role of Siu-Lan Tan so prominent in the documentary SCORE also prohibited her from attending any of the more than 40 public screenings of the film–she was, after all, busy teaching classes. That changed in early April, when the professor of psychology at Kalamazoo College was finally able to see a festival screening of the film at the 41st Annual Cleveland International Film Festival (CIFF).
She picked a great screening, or screenings.
“The first screening at Cedar Lee Theater sold out,” says Siu-Lan. “On day two, they moved the film [full title: SCORE: A Film Music Documentary] to a theater complex at Tower City and the cinema sold out again. So they opened a second theater, and that one filled too! On the last screening day, they filled two theaters for SCORE and had to turn more people away.”
That enthusiastic reception kept Siu-Lan busy.
“The director [Matt Schrader] asked if I could attend as a special guest from the cast, and I joined Q&A sessions at the first and third screenings. I also did 35-minute extended Q&A Chat Room by myself.”
And CIFF is no small event. This year more than 100,000 people attended. The festival featured the work of some 300 filmmakers and a total of 418 films from 71 countries. SCORE won in its category (Music Movies Competition) and was one of only 15 films recognized on closing night.
Why the great response? Because the best movie you ever saw is the best, in part, because it’s the best movie you ever heard. Siu-Lan and some 60 other people interviewed for SCORE help explain the critical role of music scores to the emotional impact of a film. In addition to Siu-Lan, others interviewed include some of the top living film composers in United States and the United Kingdom (Hans Zimmer, Danny Elfman, Randy Newman, Howard Shaw, Trent Reznor, Alexandre Desplat, among others), as well as film directors like James Cameron, producers like Quincy Jones and several film scholars.
An expert in the psychology of music (a course she teaches at K) Siu-Lan appears five times in the film. Kalamazoo College is mentioned every time Siu-Lan appears, and K is thanked in the end credits along with the filming location of Dalton Theater.
The popular film is on the docket for many upcoming festivals. You can also check upcoming screenings here. So if you get a chance, go see SCORE; it’s likely to be the best film you’ve ever heard, or at least reveal why your favorite movie has as much to do with your ears as your eyes.
Shakespeare was right when he had Lorenzo say (Merchant of Venice, Act 5, Scene 1) that it is music creeping in our ears that has the sweet power (like Orpheus) to change the very nature of reality and the way we perceive it. A film without its score is a body without its heart.
SCORE is scheduled for release in theaters in 20-25 major cities on June 16.




Kalamazoo College students are collaborating with Planned Parenthood of Southwest Michigan on a theatre performance that will raise awareness about reproductive health in Kalamazoo County. “Pro-Voice: Reproductive Justice Monologues,” will stage on Sunday, February 26, at 5 p.m., and on Monday, February 27, at 7 p.m. Both performances will occur in the Connable Recital Hall of the Light Fine Arts Building on K’s campus. The events are open to the public. For tickets, contact in person Brenda Westra (in the Department of Psychology office suite in Olds-Upton). Tickets are $10; all proceeds will go to Planned Parenthood.
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Such collaborations are unlikely no more, thanks to the Co-authorship Project, the subject of Kim’s 80-minute film and the heart of Professor of Psychology Siu-Lan Tan’s developmental psychology class for the last 15 years. The Co-authorship Project gives K students the opportunity to create an original storybook with an elementary student in order to gain a deeper insight into child development. Tan’s developmental psychology class is one of many academic 
The world premier of a documentary that prominently features Kalamazoo College Professor of Psychology Siu-Lan Tan occurred at the Hamptons International Film Festival. For SCORE: A Film Music Documentary Siu-Lan was one of some 60 live interviews compiled for the film, including conversations with the top living film composers in United States and the United Kingdom (Hans Zimmer, Danny Elfman, Randy Newman, Howard Shaw, Trent Reznor, Alexandre Desplat, among 

Professor of Psychology Siu-Lan Tan convened and co-chaired a symposium titled “Film, Television, and Music: Embodiment, Neurophysiology, Perception, and Cognition” on July 6, at the 14th International Conference for Music Cognition and Perception held at the Hyatt Regency in San Francisco. This conference gathers more than 550 music cognition researchers from around the world.