Classical Music, Liberal Arts Compose Alumna’s Noted Devotion

Jacqueline Mills with her violin 1
Jacqueline Mills ’18 toured Spain and Portugal with the Kalamazoo Junior
Symphony Orchestra this summer with Kalamazoo College Music Chair
Andrew Koehler.

Jacqueline Mills ’18 has an inspiring story of how a liberal arts education continues to benefit her life after Kalamazoo College as her appreciation of music has blossomed from an interest into a lifelong passion.

Before majoring in chemistry at K, Mills began playing violin at age 9. During her middle school years, she developed a music outreach program, V is for Violin, where she would visit her former pre-school to play the violin and introduce children to the world of classical music.

“A lot of young people knew rap, pop and other genres of music, but this was a time when arts programming seemed to be on the decline in schools,” Mills said. “The lack of music programming in public schools was one of the reasons I had to seek out alternative weekend programs to develop my musical talents further.”

As Mills progressed, she didn’t expect music to play the role it did in her college years, instead anticipating it to be more of a side interest or outlet.

“My mindset was that I had just spent 10 years playing the violin and I didn’t want to waste it, so I decided to try out,” Mills said.

That tryout was for the Kalamazoo Philharmonia, an ensemble of students, faculty, amateur musicians and professional musicians of various ages that performs three concerts a year under Music Director and K Music Department Chair Andrew Koehler, who immediately and enthusiastically accepted her to the group and with whom she also took violin lessons.

Later, her study abroad experiences in Perth, Australia, were significant because she interned at the Aboriginal School of Music. On this site, Aboriginal students learn about a variety of music genres.

“I wasn’t in an orchestra in Australia, but it was still nice to have that connection to music,” Mills said. “I was learning about their culture and other instruments they have. It reignited a deeper understanding of music in me that I wanted to pursue further, in the sense that music can be a part of my life forever even if it’s not my profession.”

By the time she had returned to K, Koehler had recognized in Mills her growing enthusiasm for music.

Kalamazoo College Music Chair and Kalamazoo Junior Symphony Orchestra Director Andrew Koehler leads the orchestra in a classical music performance at a cathedral
Kalamazoo College Music Chair Andrew Koehler,
who is the music director of the Kalamazoo Junior
Symphony Orchestra, leads the orchestra in a
performance.

“Jacqueline was always a really thoughtful, observant, self-aware kind of musician,” Koehler said. “These are qualities that I feel are really essential to good music making. When you’re in the practice room, you’ve got to be thinking about what is working and what is not and ask, ‘How can I bridge the gap?’ Jacqueline studied chemistry here at K, so music wasn’t necessarily going to be the central thing that drove her. Yet she was really a gifted violinist. Like every K student, she was busy and had to fight to make time for music, but she always carved out the space to make sure that she kept improving, day by day and year after year.”

Additionally, by this time, Koehler was leading the Kalamazoo Junior Symphony Orchestras (KJSO), a group representing around 42 schools in 23 area communities. KJSO has a tradition of self-funded touring for performances that started in Europe in the 1960s and it was planning a trip to perform in South Africa during Mills’ senior year.

“She and I were still working on private lessons and she was playing in the Philharmonia,” Koehler said. “She had spent her junior year in Australia, so I floated the idea to her of going with us to South Africa. I said, ‘One doesn’t get to go to South Africa every day. Is there any chance you might be interested?’ And she was.”

But that was just the first time Mills would tour and perform with KJSO. This past summer, after she took the initiative to approach Koehler about the trip, she toured Spain and Portugal with the group where they had two performances.

“With the South Africa experience cemented in her mind, when she heard through the grapevine about this new tour, and was already enjoying being more established and working a job, she actually contacted me this time,” Koehler said. “Of course, I was over the moon. I’m always delighted for any opportunity to make sure a K alumna is still finding ways to make music. And it was just such a beautiful opportunity to reconnect with Jacqueline in particular.”

Mills admitted there was a bit of a spoken language barrier in Spain and Portugal that she hadn’t encountered in South Africa, but fortunately, music is a universal language.

“It was a unique experience, in South Africa and Europe alike, to be both a tourist and a performer,” Mills said. “It was harder in Spain because I don’t speak the language, so trying to communicate about our concerts was difficult. But it doesn’t matter what your nationality is. If you’re playing well, the music will resonate.”

KJSO performed for a small crowd in a concert hall in Madrid before moving on to Salamanca, where, Koehler said, it seemed the whole city turned out to pack a historic cathedral.

“There was an intensity to the experience,” Koehler said. “It was just so special to be in this amazing place, playing music that combines some American composers, a Portuguese composer and, of course, a Spanish composer. There was a kind of a cultural ambassadorship that we were trying to achieve with the program, and sharing it with this audience that was wildly enthusiastic and cheering us on, is just something that we will long remember.”

Mills’ story is significant for Classical Music Month, which first was instituted in September 1994 by President Clinton. His proclamation stated, “Classical music is a celebration of artistic excellence. This month we exalt the many talented composers, conductors and musicians who bring classical music to our ears. Music is a unifying force in our world, bringing people together across vast cultural and geographical divisions.”

In her professional life, Mills has worked in a lab as a quality control chemist. She’s also performed some research involving sickle cell disease. She now works with the City of Detroit in an adult education program called Learn to Earn, which aims to break intergenerational poverty and position job seekers on a pathway to the middle class. Yet she always wants her career to allow her time to bring classical music to the ears of children and people around the world.

“In the short term, I would like to join a community orchestra,” Mills said. “But long term, I hope to start a nonprofit or foundation to provide instruments and classical training to underrepresented children as a way to celebrate and invite youth into the fine arts. From my experience, having continued access to instruments and private lessons at a young age can be half the battle and I want to provide that support to my community. I would also like V is for Violin to pick up where I left off by going into pre-schools and elementary schools and introducing kids to the world of classical music; showing them that it’s not a dead art confined to a specific race and gender. Music is a universal language that can take you anywhere, and if I can do it, they can do it, too.”

Koehler said he’s proud not only of K’s music majors, but all K students like Jacqueline who go on to make music a permanent fixture in their lives.

“Of course, it’s very rewarding to work with students who really dive all the way with us into the musical field,” Koehler said. “But no less valuable, in terms of what we offer to a liberal arts campus and in terms of what we aspire to in our teaching, is to see students who hold space for music as part of a fuller, truly human existence. My hope for those who have played in the Philharmonia or any of our ensembles, no matter what path they go on, is that music remains a part of their experience, as it has for Jacqueline.”

Reception to Spotlight Alumna’s COVID Purse Diary Exhibit

Heather Boersma standing in front of a display from COVID Purse Diary
Heather Boersma ’89 is the artist behind COVID Purse Diary, which is on display now at the Light Fine Arts Gallery.

A Kalamazoo College alumna who got her start in art as a child by making creations out of everything from McDonald’s containers to acorns, will be the guest of honor in a reception highlighting her recent work at the Light Fine Arts Gallery. 

The Department of Art and Art History is presenting COVID Purse Diary, an exhibition by alumna Heather Boersma ’89, from 9 a.m. to 5 p.m. through October 12. In the exhibit, Boersma uses recycled materials and random objects to represent a variety of subjects related to the COVID-19 quarantine. At her reception—from 3:30 to 6 p.m. Thursday, September 22—Boersma will read a few poems related to her visual art at 4 p.m. and 5:30 p.m. 

Rather than shopping for a new spring purse in 2020, Boersma started taking longer walks, slower bike rides and collecting natural specimens and discarded artifacts that spoke to her about the shifting values of the world through the quarantine. Baking bread, walking on trails, trying to cut our own hair, hoarding toilet paper and wearing masks became global trends that fascinated her, inspiring her art for the exhibit. She hopes that in years to come people will look at the series and be able to find pieces that they can relate to and be inspired to use art to help process challenging times. 

Since studying art and English at K and earning a Master of Fine Arts in creative writing at Western Michigan University, Boersma has taught writing, reading and aesthetic education at WMU and elementary schools throughout Kalamazoo County. She has received multiple grants and awards in Western Michigan shows and at ArtPrize in Grand Rapids. Since the pandemic, she has shifted to creating and she exhibits her artwork full-time in shows and competitions. 

The public is invited to the free exhibit and the free reception. No registration is necessary. For more information on her work, visit her website

Alumna Pushes K’s Fulbright Count to Five This Year

Fulbright Recipient Julia Bienstock 22
Julia Bienstock ’22 has earned a place in the Fulbright U.S. Student Program as an
English teaching assistant in Madrid, Spain.

Just when it seemed Julia Bienstock ’22 had missed her last chance for a study abroad experience through Kalamazoo College, she has received a great honor in being named a selectee for the Fulbright U.S. Student Program.

That opportunity means she will serve in an English Teaching Assistantship (ETA) at IE University in Madrid, Spain, leading to a dream come true and an academic year abroad.

“It has been a very emotional few months, but I’m so excited to be going to Spain,” Bienstock said. “At K, I critically thought about pedagogy in my academic endeavors and I can’t wait to keep doing that in an international context. Spain has some unique festivals and traditions throughout the year that I’m so thrilled to take part in as well.”

Since its inception in 1946, Fulbright has provided more than 380,000 participants with opportunities to exchange ideas and contribute to solutions to shared international concerns. The program is funded by an annual appropriation from Congress to the Bureau of Educational and Cultural Affairs and managed through the U.S. Department of State. 

Bienstock is joining four other recent K alumni who are among about 1,900 students, artists and young professionals who will represent the U.S. through Fulbright in about 140 countries this year. Chosen for their academic merit and leadership potential, participants serve at primary and secondary schools or universities overseas.

Bienstock first desired a study abroad experience in Valparaíso, Chile, but a political revolution there forced the program’s cancellation just before her junior year, which is when most K students go overseas. Cáceres, Spain, was her second choice, although COVID-19 stifled that opportunity.

With dwindling optimism, a Fulbright scholarship seemed to be her last chance, and initially, she was named an alternate to the program. In other words, she was not among the initial selectees and she would have to wait to see whether an opportunity opened.

“My recommenders and peers were confident that I was going to Madrid, which boosted my ego before I received the news that suggested otherwise,” Bienstock said. “I tried to remind myself that there were only four spots at the IE, and getting alternate status was something that I should take pride in.”

Months passed by and Bienstock tried to forget about her status, even though she still wasn’t necessarily rejected.

Then, Bienstock received an unexpected email from Fulbright last month. The email contained word that an opportunity had opened and it was hers if she wanted it. She initially considered not going because she had recently accepted a job as a paralegal in Detroit, where she also used her Spanish skills. Yet ultimately, Bienstock decided she needed to make the best choice for herself.

“I realized that I had to take advantage of the opportunity because I didn’t know the next time I would get an offer to do something like this,” Bienstock said. “I couldn’t give up my dream for somebody else, so I happily replied to the email and accepted the Fulbright. The next day, I found out that I got placed at the IE University in Madrid, and I knew I had made the right decision.”

Her employer proved to be supportive.

“People congratulated me and understood that I needed to take this opportunity,” Bienstock said. “I didn’t tell them that I was an alternate when I got hired, but they were very kind about the sudden change of plans. Since they were familiar with the program, they were compassionate and realized that this was necessary.”

And now, Bienstock is focused on the students she will help abroad.

“When I was at K, I loved learning from other students about their classes,” she said. “I look forward to learning from IE students about their classes, too. IE has students from all over the world and I look forward to learning about their writing styles from their perspectives.”

From K to Kenya: Three Unite 8,000 Miles Away at UNICEF

Three K Alumnae at in front of a UNICEF poster in Kenya
Annika Rigole ’04, visiting international program alumna Sharon Musee and Paloma Clohossey
‘11 are three with Kalamazoo College connections who all work about 8,000 miles from campus
at UNICEF in Kenya.

At Kalamazoo College, international immersion and study abroad offers students opportunities to delve deep into other cultures. Along the way, they develop knowledge and skills that parlay into future careers and often form meaningful personal relationships with others around the world.

Such is the case for Paloma Clohossey ‘11, visiting international program alumna Sharon Musee and Annika Rigole ’04. Although each of them had a distinctive road in finding their way to Kalamazoo College, all three have succeeded in journeys that have taken them professionally to UNICEF in Kenya. It might seem amazing that three alumnae from a small liberal arts and sciences institution such as K all ended up at the same employer nearly 8,000 miles away. However, it makes sense that UNICEF is a desirable destination when one considers the College’s connections with foreign study and service learning.

UNICEF, originally called the United Nations International Children’s Emergency Fund in full, is now the United Nations Children’s Fund, an agency of the United Nations responsible for providing humanitarian and developmental aid to children worldwide.

The organization was established in 1946 in the aftermath of World War II to help children and young people whose lives were at risk no matter what role their country had played in the war. In cooperation with governments, non-governmental organizations (NGOs), the private sector and others, UNICEF works to advance and protect children’s rights while providing health care, immunizations, nutrition, access to safe water and sanitation services, education, protection and emergency relief.

‘You’re the Best Female Student in Your Class’

Of the three with K connections, Musee is the only one originally from Kenya. She first attended the University of Nairobi when she began her higher education pursuits, a time that revealed her limited world experience, she said. She didn’t know there was such a thing as an exchange program that would allow her to study in the United States until she got a call from the university’s Registrar’s Office, requesting an appointment.

Musee was apprehensive about the meeting, yet her fears were soon quelled.

“It was within walking distance, so I walked over and they said, ‘do you know why we called you here?’” Musee said. “I said, ‘no, what did I do?’ They said, ‘Yes, you’ve done things, but they’re why we think you’re the best female student in your class.’”

Her recognition as an accomplished student meant Musee was empowered to attend college in the U.S. through an exchange program, and as luck would have it, the program brought her to K.

“I say it was lucky because it wasn’t something I was working for,” she said. “I was working hard to get good grades, but I was not expecting to go to K.”

Today, Musee is a partnerships and resources mobilizations officer who supports UNICEF in cultivating new public partnerships and managing its existing public partnerships.

“Being at K exposed me to a lot to multicultural settings, so I was meeting people that don’t have the same background as I do,” Musee said. “When I left K, I went back to the University of Nairobi, I graduated, and almost immediately got a job in the public sector. I kept traveling in the region. It was very easy for me to fit in if I went into Somalia or into South Sudan. If I went to speak to donors who would be people of a different race or a different culture of a different color, I would say it was very natural for me to fit in as opposed to before K. It came naturally for me as a result of K.”

‘They Immediately Bought My Plane Ticket for Me to Go Visit’

Clohossey, an English and psychology double major from California, first learned of K when her parents read about it in the book “Colleges That Change Lives” and encouraged her to visit as a result.

“When I say encouraged, I mean they immediately bought my plane ticket for me to go visit and I’m grateful to this day for all their support,” Clohossey said. “I thought there was no way I would go to college at a place called Kalamazoo. But as soon as I stepped foot on the campus, I remember having an intuitive feeling that it was going to be the place for me.”

Clohossey chose to study abroad in Africa and selected Kenya through a process of elimination. Her study abroad cohort’s visit at the University of Nairobi turned out to be when she would meet Musee—before Musee had ever arrived at K.

When Musee’s life path did curve toward K, the two became friends and they participated together in College Singers. In fact, Clohossey said their relationship makes them feel more like sisters and Musee agreed.

“We share a lot,” Musee said. “We go for random lunches. I know that if I need something quickly, I can reach out to Paloma offline—outside of the office or within the office—and I know that she’s got me. This is the sisterhood I feel knowing that we went to K.”

Clohossey says she splits her time between supporting regional program planning and regional knowledge management efforts for UNICEF.

“These functions involve things like supporting UNICEF’s annual work planning, monitoring and reporting, as well as ensuring that UNICEF is capturing, documenting, organizing and using knowledge to ensure we’re as effective as we can be as we pursue our goal of achieving results for children and protecting their rights,” Clohossey said.

The connections she has with colleagues like Musee is a big part of what makes the job special.

“Meeting again was like going back 10 years,” Clohossey said. “We were super happy to see each other.”

‘K Is Such a Special Place’

After her years as a mathematics and economics and business double major at K, Rigole—originally from Belgium and a Michigander since age 10—served in AmeriCorps where she helped nonprofits and government agencies in the southeastern U.S. alongside a team of about 10 people.

In starting her career, she embraced a passion for nurturing education. Through work with an international educational exchange organization, then grad school at the Fletcher School of Law and Diplomacy, and subsequent work with NGOs in Malawi and Zambia, she helped improve access to quality education and skill-building opportunities, particularly for young girls.

“Education has always meant so much to me because I love learning and it has been so formative in my life,” Rigole said. “It was important to me that I could help others have similar opportunities.”

When she looked for a career shift toward the end of her time in Zambia, she found UNICEF. Rigole worked with UNICEF in New York for two years as a consultant strengthening monitoring, evaluation and research in education before applying for her position at the regional office in Kenya.

“As a regional office, we provide technical support to our country offices,” Rigole said. “In particular, I focus on strengthening data systems within education, and the use of data to inform decision making. It’s about having data and research speak to policy, for example so governments can better understand the differences between districts or provinces and how they’re doing in terms of equity and quality, or can learn from how some schools perform better than others.”

Rigole didn’t know Clohossey or Musee when she started at UNICEF, but that changed at a July 4 holiday barbecue.

“I didn’t know that many people yet, but I’d been invited by another colleague of ours,” Rigole said. “I was introduced to Paloma and she said she was from California. I said I was from Michigan. She said, ‘Oh, I went to college in Michigan.’ I said, ‘Oh, cool! Where?’ She said, ‘It’s a small liberal arts school.’ I said, ‘What’s the name?’ She said, ‘Kalamazoo College.’ I said, ‘I went to Kalamazoo College!’”

Rigole doesn’t work with Musee very often, although Clohossey has introduced them since. However, working with Clohossey has been special for Rigole since the moment they met.

“Immediately it felt good to have something in common with her,” Rigole said. “It’s not quite like family, but it gives you this bond because K is such a special place and shared experience.”

New Fellowship Provides Post-Grad Opportunity Abroad for K Students

Bob Sherbin establishing fellowship abroad
Robert Sherbin ’79

A generous leadership gift from Kalamazoo College alumnus Robert Sherbin ’79 will open the door to independent exploration outside the United States for Kalamazoo College graduates.

Sherbin has established the Jerry Sherbin Fellowship, named in honor of his father, which each year will provide one K senior with a stipend to pursue an academic year post-graduation, independently exploring a subject of deep personal interest outside the United States. Applicants will be assessed based on their proposal’s creativity and personal significance, their passion for the subject, and how the work may shape their future plans. The first fellowship abroad will be awarded in spring 2023.

“The College’s K-Plan emphasizes international study and engagement, so this fellowship wonderfully complements a student’s K education,” said Provost Danette Ifert Johnson. “It provides yet another avenue for students to pursue a project of personal interest in a deep and meaningful way prior to starting their graduate study or career. We are grateful to Bob for creating this opportunity for current and future generations of students.”

While an English major at K, Sherbin studied abroad at the University of Nairobi, one of only six American undergrads—and the only K student—there at that time. As a senior, Sherbin applied for a Thomas J. Watson Fellowship, an external grant through the Watson Foundation that provides the opportunity to design and execute a one-year project overseas. Before attending graduate school at Northwestern, Sherbin spent a year in Central and West Africa as a Watson Fellow, conducting a sociological study of long-distance truck drivers. This opportunity was transformative, helping guide Sherbin’s path to becoming an international journalist and later, a global corporate communications executive. Today he is the vice president of corporate communications at NVIDIA, a technology company based in Silicon Valley.

Sherbin said, “The Watson Fellowship was the most formative experience of my life. I’d not taken an intro to sociology class. My French was appalling. And I didn’t know a soul within thousands of miles, when aerograms were the WhatsApp of the age. But K had given me the tools to learn and sparked my passion to figure out the rest. It’s my hope that this fellowship will enable students to widen their perspectives, taking them from Dewaters to Danang, from the Upjohn Library steps to the Russian steppes and beyond, and discover ways to make a difference before they head into the rest of their lives.”

Alumni Reflect on the Advice They Would’ve Given Themselves

Students, faculty and staff practice the procession for Commencement on the Quad
Graduates-to-be on Thursday rehearsed the processional they will execute during
Commencement on the Quad at Kalamazoo College.

Spring term finals are over. Kalamazoo College’s faculty and staff are preparing for Commencement. And seniors, through a traditional rehearsal, have received their last instructions for Sunday’s ceremony. To help smooth the students’ transitions away from undergraduate life, we asked some faculty and staff who are K alumni themselves to share what advice they would go back and give themselves as they graduated.

Here’s what they had to say of that advice. We hope it will be valuable for the class of 2022.

Professor of History Charlene Boyer Lewis ’87

“Remember that no matter how carefully you plan for the future, something is going to come along to change your plans—and sometimes that change will be amazing!”

Enrollment Systems Manager Dan Kibby ’91

“Looking back, I cannot remember a single instance where I later wished I’d been less kind.”

Kalamazoo College Chaplain Liz Candido ’00

Two male faculty and a female grad-to-be on Commencement stage during rehearsal advice
Graduates-to-be Thursday were advised they will
shake hands with President Jorge G. Gonzalez, receive
their diploma, move their tassel and have their picture
taken while crossing the stage.

“Be imperfect. Some of the best things in my life have come as the result of some screw-up or mistake. Lose your fear of doing it wrong or incorrectly, and let yourself blunder into something unexpected and wonderful!”

Web Content Specialist Martin Hansknecht ’20

“Know that the skills you developed while at K are deeply transferable across industries, and be open to the curve balls life throws at you. But before that, take time to celebrate all you have accomplished during your four years at K—even though it may feel self-indulgent to celebrate anything positive during the dawn of a pandemic.” 

Admission Counselor Lezlie Lull ’20

“Say yes. Visit your friends. Enjoy your weekends. As you transition into a new life stage, take your time and enjoy the small moments, and don’t forget to visit your parents!”

We’re excited for the class of 2022 to join the ranks of our alumni!

Alumnus Fights World Hunger Through Nourish Bangladesh

Jesse-Steed-Fights-World-Hunger-Through-Nourish-Bangladesh
Jesse Steed ’02

A Kalamazoo College alumnus is among the volunteers behind a non-government organization that is working to feed the impoverished people of Bangladesh as natural disasters and the COVID-19 pandemic have complicated the southern Asia nation’s fight against chronic hunger.

Jesse Steed ’02—a licensed real-estate broker in Northfield, Minnesota—got inspired when Faress Bhuiyan, an economics professor at nearby Carleton College and the founder of Nourish Bangladesh, asked him to get involved with the organization’s work.

“When there’s a need, and I’m personally asked, I tend to say yes,” Steed said. “I think that’s one of the main three pillars of philanthropy. It’s your own causes, the causes of your friends and the other causes that just present themselves at just the right time. This was definitely a friend’s cause, and we had been talking for a couple years about doing something along these lines. I’ve always had a global interest. I’ve never been to Bangladesh before but having lived abroad through K and then right after college, I see a lot of value in the concept of helping people who live outside my community or even outside my country.”

Steed is among the Nourish Bangladesh volunteers who seek donations and vet nonprofits in Bangladesh with the hope of helping worthy organizations provide money and food to people throughout the country. The organization seeks partners who use their funds directly in on-the-ground efforts, spending it efficiently to support under-privileged groups such as low-income households, women-headed households, transgender individuals, flood-affected households, refugees, children and victims of communal violence.

“With COVID, those of us who could work from home all of a sudden had a little more time on our hands to help because we didn’t have to drive anywhere,” Steed said. “Faress pulled together a group of people from around the world, including some students, some former students, some friends, some Bangladeshis to meet online and talk about what we could possibly do.”

World Hunger Day, observed every May 28 since 2011, was created by the Hunger Project to bring awareness to the hundreds of millions of people worldwide who face chronic hunger, making it an excellent day to focus on organizations such as Nourish Bangladesh. According to the Hunger Project, 98 percent of the world’s undernourished live in developing countries, more than 60 percent of the people affected are women, and hunger kills more than AIDS, malaria and tuberculosis combined. Nourish Bangladesh is fighting to reverse those trends by, according to its website, funding nearly 900,000 meals to nearly 45,000 individuals and more than 11,000 households to date.

“I think that consistency over the course of these two years shows that this organization is providing value and that people still want to donate to it,” Steed said. “We have ongoing drives and programs. We’ve raised quite a bit of money and we make a strong impact with the groups we benefit. The thing that I love hearing is that the work we do makes a personal impact or connection. It’s nice to hear some stories from the folks who we help and see that we’ve made a difference in their lives.”

Alumna, Professor Emerita Earns Pulitzer Prize

Pulitzer Prize recipient Diane Seuss
Kalamazoo College alumna and
Professor Emerita Diane Seuss has received
the Pulitzer Prize in Poetry for “frank:
sonnets.” Photo by Gabrielle Montesanti
Book Cover for Frank:Sonnets by Diane Seuss
Diane Seuss ’78 published her fifth collection of
poetry, “frank: sonnets,” in 2021.

Kalamazoo College alumna, Professor Emerita and former writer-in-residence Diane Seuss ’78 is celebrating more recognition for her latest poetry collection, and this honor is the most prestigious yet. 

Seuss was granted a 2022 Pulitzer Prize in Poetry on Monday for frank: sonnets, a collection of poems that discuss topics including addiction, disease, poverty and death. The collection previously received the PEN/Voelcker Award for Poetry Collection, the National Book Critics Circle Award for Poetry and the LA Times Book Prize for poetry. 

The Pulitzer Prize committee described frank: sonnets as “a virtuosic collection that inventively expands the sonnet form to confront the messy contradictions of contemporary America, including the beauty and the difficulty of working-class life in the Rust Belt.” 

“This is nothing that I would ever, ever, ever have expected of life,” Seuss said of the honor in an MLive interview. “It’s hard to feel these things beyond kind of shock and awe.” 

In previous honors, Seuss received the John Updike Award in 2021 from the American Academy of Arts and Letters. The biennial award recognizes a mid-career writer who demonstrates consistent excellence. Seuss also joined a prestigious group of scholars and artists who have received grants from the Guggenheim Foundation as a 2020 Guggenheim Fellow. The fellowship helps honorees slate blocks of time during which they explore their creative freedom. The Foundation receives about 3,000 applications each year and awards about 175 fellowships.  

Seuss retired from K in 2016, the year she was a Pulitzer finalist for Four-Legged Girl (Greywolf Press, 2015), a poetry collection the Pulitzer committee described as “a richly improvisational poetry collection that leads readers through a gallery of incisive and beguiling portraits and landscapes.” Her other collections include Still Life with Two Dead Peacocks and a Girl (Graywolf Press, 2018), a finalist for the National Book Critics Circle Award and the LA Times Poetry Prize; Wolf Lake, White Gown Blown Open (University of Massachusetts Press, 2010), which received the Juniper Prize; and It Blows You Hollow (New Issues Press, 1999). 

“For me and others like me, people in the margins for whatever reason, such recognition is an encouragement,” Seuss said of her recent success in a Kalamazoo College news story last month. “It’s saying, your work has worth. It makes all the difference to be seen and heard and acknowledged.” 

Alumna Hopes World Health Day Prompts Food for Thought

Anne Schechinger Discusses World Health Day
Anne Schechinger ’10 leads a team of three at
Environmental Working Group, where she serves as
a leading national expert on agricultural conservation
and how it affects the climate crisis.

A Kalamazoo College alumna is hoping you’ll think about where your food comes from this Thursday, April 7, which serves as World Health Day.

Anne Schechinger ’10 was recently promoted to Midwest director at the Environmental Working Group (EWG), a nonprofit organization that specializes in research and advocacy in agricultural subsidies, toxic chemicals, drinking-water pollutants and consumer products. EWG’s annual Dirty Dozen list describes pesticides that have been associated with adverse health impacts including some that have been restricted in certain countries; its databases allow consumers to look up what chemicals are in their cleaning products, personal care and beauty supplies, food and specific region’s drinking water; and its quick tips allow consumers to learn about reducing their climate footprint through what they eat.

Within that, Schechinger—an economics major in her time at K—explores agriculture’s impact on the environment while analyzing how government policies could reduce agricultural pollution. She leads a team of three while serving as a leading national expert on farm subsidies, nitrate pollution in tap water, toxic algae blooms, and federal policies related to agricultural conservation and how they affect the climate crisis among other topics. She regularly is a subject-matter expert for the news media, interviewing with outlets such as the Los Angeles Times, NPR, Bloomberg and the Guardian. 

“At EWG, I work with a lot of smart, knowledgeable people and we’re tasked with becoming experts on new things every year,” Schechinger said. “K has helped instill that love of lifelong learning in me, which has helped my career. A liberal arts education has helped me think critically, and a big part of my job is to come up with unique solutions to problems.”

World Health Day, established by the World Health Organization (WHO), features a different focus each year. This year, it’s the growing climate crisis, making Schechinger’s expertise especially relatable.

“World Health Day is important because it brings public health to the forefront of our minds and the climate crisis should be a part of that thinking,” she said.

WHO estimates that more than 13 million deaths around the world each year are attributable to avoidable environmental causes. Plus, the climate crisis is the single biggest health threat facing humanity as more than 90 percent of all people breathe unhealthful air thanks largely to the burning of fossil fuels. Agriculture is responsible for at least 10 percent of greenhouse gas emissions in the U.S., Schechinger said, and the federal government’s current Farm Bill isn’t doing enough to help farmers reduce their impact on the environment.

“There are agricultural conservation programs within the current Farm Bill that pay farmers to do certain things that we hope would be good for the environment and public health,” she said. “But many of them are structural practices like animal waste lagoons for concentrated animal feeding operations. We’re really focusing in this next Farm Bill on getting more funding to the conservation practices that actually help the environment and help farmers mitigate and adapt to climate change.”

WHO says breaking cycles of destruction for the planet and human health requires legislative action, corporate reform and individuals to be supported and incentivized to make healthful choices. Schechinger wants to be a part of that as an agricultural expert in her career and wants you to think about how these policies affect your daily life.

“Agriculture affects everyone, even if you don’t live next to a farmer’s field,” Schechinger said. “I did a report last year about nitrates in drinking water, and with how watersheds work, you can live pretty far from agriculture and still have agricultural contaminants in your drinking water. We found that Los Angeles, San Francisco and major cities across the U.S. have nitrates in their drinking water from agriculture because it’s easy for pollution to get into a river or stream, and then flow many miles downstream into your drinking water. We need to be reminded of these issues because I think we can get bogged down in what we hear just with how much greenhouse gas emissions are growing. But at the end of the day, climate change affects people. It affects all of us. It affects our health and our lives.”

Alumna, Professor Emerita, Poet Diane Seuss Garnering Recognition

Update: Diane Seuss was announced the winner of the Pulitzer Prize in poetry on May 9, 2022, for her work frank:sonnets.

Diane Seuss '78
Diane Seuss ’78 (Photo credit: Gabrielle Montesanti)

April is National Poetry Month, an especially busy time for Diane Seuss ’78, a Kalamazoo College alumna and professor emerita who taught in the English department and served as writer in residence for three decades. With accolades rolling in for her latest book and a new collection of poetry on the horizon, Seuss is marking the month with virtual readings across the country and reflecting on the successes and challenges of the past two years, including a Guggenheim Fellowship, the John Updike Award and the COVID-19 pandemic.

As a 2020 Guggenheim Fellow, Seuss joined a prestigious group of scholars and artists who have received grants from the Guggenheim Foundation to help provide fellows with blocks of time to work with creative freedom. The Foundation receives about 3,000 applications each year and awards about 175 fellowships.

In 2021, Seuss received the John Updike Award from the American Academy of Arts and Letters. The biennial award recognizes a mid-career writer who demonstrates consistent excellence.

The Guggenheim and Updike awards have helped Seuss, who grew up in rural schools and earned a master’s degree in social work rather than an M.F.A. in creative writing, feel a hard-won sense of authority as a poet.

“They’re both very prestigious,” Seuss said. “While you would hope that you could feel that you have a right to be heard without that recognition, it sure helps. It’s amazing that I was this kid with a single mom in Niles, Michigan, writing poems in typing class, and truly, through sheer persistence and a lot of luck, I have managed to be here.

Book Cover for Frank:Sonnets by Diane Seuss
Diane Seuss ’78 published her fifth collection of poetry,
“frank: sonnets,” in 2021.

“For me and others like me, people in the margins for whatever reason, such recognition is an encouragement. It’s saying, your work has worth. It makes all the difference to be seen and heard and acknowledged.”

Seuss published her fifth collection of poetry, frank: sonnets, in 2021. The book, from Graywolf Press, is currently a finalist for the Los Angeles Times Book Prize in Poetry, was named a finalist for the Kingsley Tufts Poetry Award, and won both the PEN/Voelcker Award for Poetry and the National Book Critics Circle Award.

Prior to frank: sonnets, Seuss published four other poetry collections: Still Life with Two Dead Peacocks and a Girl (Graywolf Press, 2018), a finalist for the National Book Critics Circle Award and the Los Angeles Times Poetry Prize; Four-Legged Girl (Graywolf Press, 2015), a finalist for the Pulitzer Prize; Wolf Lake, White Gown Blown Open (University of Massachusetts Press, 2010), recipient of the Juniper Prize; and It Blows You Hollow (New Issues Press, 1999).

frank got its start during a writing residency at Willapa Bay Artists in Residence near Oysterville, Washington.

“A lot of people had said, ‘You should write a memoir because you’ve had quite a life,’” Seuss said. “You know what is beneath the surface when folks say you should write a memoir! I took that idea with me to the residency, but I just couldn’t hear the memoir in prose.”

During the residency, Seuss took a day trip to Cape Disappointment, where visitors can hike to a lighthouse on a cliff. The drive was beautiful, but when she arrived, Seuss felt exhausted and took a nap in the backseat of her rental car before simply returning to her cottage.

“On the drive back, I started narrating what had just happened,” Seuss said. “I had this line in my mind: I drove all the way to Cape Disappointment, but didn’t have the energy to get out of the car. It’s past tense, but it’s just-happened past tense. Then it came into my head, I’m kind of like Frank O’Hara.”

A prominent poet who died in 1966, O’Hara wrote kinetic, lively poems encompassing his present thoughts and actions, which he called “I do this, I do that” poems. “By the time I got back to my little cottage, I had these lines jotted down on a pad. I saw, this could be divided into 14 lines; this could be sonnet length. Then I thought, Wow, I could write a memoir in sonnets, and they could be composed under the influence of Frank O’Hara, who was so improvisational and spontaneous.”

The poems in frank are contemporary American sonnets, Seuss said, mostly unrhymed but with some vestige of rhyme and meter and a couplet at the end. She employs the tension between the high-end poetic form of the sonnet and her working-class language and storytelling. At the same time, she draws on parallels between the working-class mentality of being economical and the economy of language inherent in the sonnet’s 14-line limit. As one of the poems says, “The sonnet, like poverty, teaches you what you can do / without.”

The title references poet Frank O’Hara as well as serving as an homage to Amy Winehouse and her first studio album, Frank. It also refers to frankness itself, a quality omnipresent in the sonnets.

“I’m not writing like I’m a role model,” Seuss said. “I talk a lot about really tough mistakes in my life. I own my stuff. I see myself pretty clearly. I hope that people who read it feel that their lives, too, have value, and that they can be honest about who they are without shame.”

frank is a memoir, but not a traditional or linear one. “It tells the story of my life and my interior, but from shifting perspectives and with a range of approaches to language,” Seuss said.

One section is in the voice of the rural town where Seuss grew up; one is transcribed from text conversations with her son. Several sonnets involve a dear friend, pictured on the cover, who died of AIDS in the ‘80s. Her father, who died when she was 7, appears in some poems, and her mother, a single mother from then on, features prominently. One poem, on the back of a center fold out, is written by her son.

“I think of the book in a lot of ways as a collaboration,” Seuss said. “The book, especially its cover photo, has received attention in countries throughout the world. Maybe especially during the pandemic, readers responded to a collection that values a single life, but also the communities and individuals that contribute to any one life.”

The COVID-19 pandemic hit shortly after Seuss received the Guggenheim fellowship, scrapping her original plans for a fellowship project involving in-person research and interviews in her hometown of Niles. Post-frank, the roots of that project have grown into her forthcoming sixth collection of poetry.

“My intention was to be able to go back to my hometown for considerable periods of time and do research, specifically around a legal case that happened in the town involving abuse at a daycare center that really cut the town in half,” Seuss said. “The roots of that project are still there, but I ended up opening the book up to larger questions about what poetry can be up against trauma, loss and our current reality.”

The original project and title, “Little Epic,” ended up as a single, longer poem in the new collection. Seuss had been interested in developing a connection to Latin poet Catullus and his longest poem, Catullus 64, an epyllion or “little epic.”

“It tells the story of a wedding among the gods by reading the images on a coverlet that is given to the bride,” Seuss said. “I loved that idea and wanted to pull it forth into the story of my town.”

K Professor of Classics Elizabeth Manwell proved a “fantastic resource” for Seuss’ efforts to learn more about Catullus and classical poetry in the process of writing “Little Epic.”

The new book is tentatively titled Modern Poetry, “which is kind of an audacious claim in itself for a book of poems,” Seuss said. The title poem is about her first poetry class at K with her mentor, Conrad Hilberry, who sought her out after giving honorable mention to a poem she wrote in high school typing class, entered into a contest for Michigan poets by Seuss’ guidance counselor. Hilberry encouraged her writing, helped her do readings in classes and eventually supported her in finding the resources to attend K.

“That class at K in 1974 also opened the pathway to what the rest of the book is, in quotes ‘about,’ if books are about, and that is poetry itself,” Seuss said. “I lived through the ongoing pandemic, aware of so much loss and suffering, of course, and for me, experienced in isolation. I’m divorced; my son is in the upper peninsula. My mom and the rest of my family are all still in Niles. My dog was my soulmate and he died during the pandemic. Through most of the pandemic, I have been in my house, right across from campus, with nobody.

“I kept asking myself this question, what can poetry be now? What is poetry now? That really is the defining question of this next book. To explore that, I went back to the roots of my education in poetry.”

Seuss also forced herself to abandon the sonnet and take a different formal approach in Modern Poetry.

“You can only do one thing so long,” Seuss said. “I’m writing the longest poems I’ve ever written, in free verse. The new work takes a certain kind of authority, a willingness to take up that much space and to think through some things about poetry itself, and to weigh in. Authority has always been an issue for me as it is for so many people who come from the margins, whether it’s race, class, gender, orientation or identity. I think some of the best teachers come from marginal realities; eventually, you may come to that place where you realize that your perspective has value.”

“In my teaching at K, in my teaching since leaving K as well as in my writing, I have wanted to communicate the value of individual realities.”

From frank: sonnets, copyright © 2021 by Diane Seuss. Used by permission of Graywolf Press. 

There is a certain state of grace that is not loving. 

Music, Kurt says, is not a language, though people  

say it is. Even poetry, though built from words,  

is not a language, the words are the lacy gown,  

the something else is the bride who can’t be factored  

down even to her flesh and bones. I wore my own  

white dress, my hair a certain way, and looked into  

the mirror to get my smile right and then into my own  

eyes, it’s rare to really look, and saw I was making  

a fatal mistake, that’s the poem, but went through  

with it anyway, that’s the music, spent years in  

a graceful detachment, now silence is my lover, it does  

not embrace me when I wake, or it does, but its embrace  

is neutral, like God, or Switzerland since 1815. 

From the forthcoming Modern Poetry, Graywolf Press, 2024.
Originally published in Chicago Review’s Memoir Dossier, January 28, 2022.

Poetry 

There’s no sense  

in telling you my particular 

troubles. You have yours too.  

Is there value 

in comparing notes? 

Unlike Williams writing 

poems on prescription pads 

between patients, I have 

no prescriptions for you. 

I’m more interested  

in the particular 

nature and tenor of the energy  

of our trouble. Maybe 

that’s not enough for you. 

Sometimes I stick in 

some music. I’m capable 

of hallucination  

so there’s nothing wrong 

with my images.  

I’m not looking for wisdom. 

The wise don’t often write  

wisely, do they? The danger 

is in teetering into platitudes. 

Maybe Keats was preternaturally  

wise but what he gave us 

was beauty, whatever that is, 

and truth, synonymous, he wrote, 

with beauty, and not the same 

as wisdom. Maybe truth 

is the raw material of wisdom 

before it has been conformed 

by ego, fear, and time, 

like a shot 

of whiskey without 

embellishment, or truth lays bare 

the broken bone and wisdom  

scurries in, wanting 

to cover and justify it. It’s really  

kind of a nasty 

enterprise. Who wants anyone  

else’s hands on their pain? 

And I’d rather be arrested 

than advised, even on my 

taxes. So, what   

can poetry be now? Dangerous 

to approach such a question, 

and difficult to find the will to care. 

But we must not languish, soldiers, 

(according to the wise)  

we must go so far as to invent 

new mechanisms of caring. 

Maybe truth, yes, delivered 

with clarity. The tone is up 

to you. Truth, unabridged, 

has become in itself a strange 

and beautiful thing. 

Truth may involve a degree 

of seeing through time. 

Even developing a relationship 

with a thing before writing,  

whether a bird 

or an idea about birds, it doesn’t 

matter. But please not only 

a picture of a bird. Err  

on the side of humility, though 

humility can be declarative. 

It does not submit. It can even appear 

audacious. It takes mettle  

to propose truth 

and pretend it is generalizable. 

Truth should sting, in its way, 

like a major bee, not a sweat bee. 

It may target the reader like an arrow, 

or be swallowable, a watermelon 

seed we feared as children  

would take up residency in our guts 

and grow unabated and change us 

forever into something viny  

and prolific and terrible. 

As for beauty, a problematic word, 

one to be side-eyed lest it turn you 

to stone or salt, 

it is not something to work on 

but a biproduct, at times,  

of the process of our making.  

Beauty comes or it doesn’t, as do  

its equally compelling counterparts, 

inelegance and vileness. 

This we learned from Baudelaire, 

Flaubert, Rimbaud, Genet, male writers 

of the lavishly grotesque. 

You’ve seen those living rooms, 

the red velvet walls and lampshades 

fringed gold, cat hair thick 

on the couches, 

and you have been weirdly 

compelled, even cushioned,  

by them. Either way, 

please don’t tell me flowers 

are beautiful and blood clots 

are ugly. These things I know, 

or I know this is how  

flowers and blood clots 

are assessed by those content 

with stale orthodoxies. 

Maybe there is such a thing 

as the beauty of drawing near. 

Near, nearer, all the way 

to the bedside of the dying 

world. To sit in witness, 

without platitudes, no matter 

the distortions of the death throes, 

no matter the awful music  

of the rattle. Close, closer,  

to that sheeted edge. 

From this vantage point 

poetry can still be beautiful. 

It can even be useful, though 

never wise.