A Kalamazoo College student is being honored by a national nonprofit organization for his work as a K Votes Civic Engagement Scholar.
Nik Krupka ’24, a philosophy and political science double major, is one of 137 students from across the country to reach the Student Voting Honor Roll through the ALL IN Campus Democracy Challenge, an initiative of Civic Nation.
The challenge is celebrating advocates such as Krupka, who advance on-campus, nonpartisan efforts to achieve excellence in democratic engagement while improving civic learning and voter participation. Civic Nation works to build a more inclusive country by bringing together individuals, grassroots organizers, industry leaders and influencers to tackle social challenges.
“It is an honor to be recognized among the other students from around the country for the work we have done here at K,” Krupka said. “I feel humbled to be among so many others since it shows the extent to which these projects are collaborative. Fostering an engaged community is a job much larger than a single person, and it was inspiring to see that, in fact, far more than just one person has taken up this task. I hope that K continues to see its students honored in similar ways as the years go on, and I know it will be so.”
Krupka helped his peers at K register to vote, learn about the issues at stake, and find information on critical ballot measures in local and state races in 2023 through K Votes, the non-partisan coalition that informs K students, faculty and staff members about voting and civic engagement through the Mary Jane Underwood Stryker Center for Civic Engagement (CCE). He said he initially found out about K Votes through a friend he met in a Constitutional and Race Law class taught by Associate Professor of Political Science Justin Berry last year.
“Before then, I had never really engaged with the program,” Krupka said. “My friend was graduating at the time, and I was looking for a way to get out of my shell since I tend to keep to myself, so I was excited to meet the folks at the CCE when he connected us. Over that summer, I met with the CCE several times to talk more about my interests—particularly in the institutional dynamics of social change—and how they fit into the overarching vision for K Votes. I was over the moon when everyone at the CCE put their trust in me, especially inasmuch as this would be an amazing way to further develop those interests. That said, it was also a chance for me to expand my comfort zone and orient my efforts toward service more broadly. I’m proud to do work that I can stand behind that gets people critically thinking about their roles in this sometimes-confusing political system.”
The CCE aims to provide everyone—from first-time voters to those who have voted for years—information on the voting process, registration and knowledge regarding what their vote means. It has worked with dozens of faculty and staff for more than 15 years to support student-voter engagement. In recent years, CCE post-baccalaureate fellows and paid student Civic Engagement Scholars have built community connections and campus structures through K Votes. Those efforts have helped hundreds of students through quarterly voter education events, democratic advocacy and activism, and the countless individual efforts by students to get their votes cast.
“It’s important for every community to vote and make themselves heard,” Krupka said. “Kalamazoo College students, staff and faculty are no exception to that. What can be said about K in particular, is that its community takes to heart many of the things a liberal arts education seeks to imbue its students with. We gladly take up the research, critical thinking, teamwork and communication needed for productive political thought, and that should inspire us with the confidence to go out and push for the changes we want to see in the world. To this end, it is important to reject the notion that what we do here is of purely instrumental value. We don’t—or shouldn’t—come here just because it is a stepping stone to a job or graduate education later on. To really embrace the value of what we do here, K’s community needs to get involved, whether that means voting or something else. K Votes has shown me how small a part of our learning takes place in the classroom alone. The world is bigger than what is in our books.”
ALL IN Campus Democracy Challenge Executive Director Jennifer Domagal-Goldman said students have a powerful role to play in fostering active and engaged campuses and getting their peers to participate in democracy regardless of whether it’s a presidential election year or one with critical state and local races on the ballot.
“These honorees hosted candidate information sessions, created guides on polling location accessibility, registered their peers to vote and so much more,” she said. “We know these students will continue to make a difference in our democracy.”
For more information on the CCE, K Votes and Civic Engagement Scholars, visit the CCE website.
Kalamazoo College is spotlighting its President’s Student Ambassadors to let you know who they are and the roles they serve for K. As student leaders, ambassadors serve as an extension of the president’s hospitality at events and gatherings, welcoming alumni and guests of the College with a spirit of inclusion. About 15 students serve as ambassadors each academic year. The students selected show strong communication skills and demonstrate leadership through academic life, student life or community service. Meet Maxwell Rhames ’25 through a Q-and-A conducted with Social Media Ambassador Blagoja Naskovski ’24.
Maxwell Rhames ’25 from Adrian, Michigan, is a chemistry major with minors in anthropology and sociology. He is involved heavily with the chemistry department as a research student and a teaching assistant. He is also a member of the Academy Street Winds, a leader of K’s chemistry club, and a member of Higher-Level Education in Dow, an organization that seeks to eliminate boundaries for students pursuing graduate school in the natural sciences after K.
What’s your favorite part of your K Experience?
“My absolute favorite part about being a student at K is working alongside such amazing faculty. The professors here are exquisite and truly care about making sure that their students understand the material and can apply it in relevant and advanced ways.”
Why did you accept the invitation to serve as a President’s Student Ambassador?
“I wanted to serve as a President’s Student Ambassador so that I could share the wonders of the K College community and student body with alumni and friends of the College. As an ambassador, I find it very rewarding to be able to meet an incredibly diverse group of people and share my K story with them and hear their stories in response.”
What is your favorite part of being a President’s Student Ambassador?
“My favorite part about the President’s Student Ambassador program is the ability to work so closely with President’s Staff and interact frequently with members of the College community, such as alumni and friends of the College. Being able to speak with these individuals and share my experiences and stories has proven incredibly rewarding and is by far my favorite part of the role.”
What would you recommend for the incoming President’s Student Ambassadors in 2024–25?
“I would recommend that interested students speak with current ambassadors to hear more about what the program entails. In general, I think that any interested students should absolutely apply to become a President’s Student Ambassador because it is an incredibly rewarding role!”
Two Kalamazoo College student organizations took a cooperative approach to conservation this year by testing the theory that one person’s trash can be another’s treasure.
The Environmental Conservation Organization (ECO) Club and Art Club got together to take recycling materials—such as cans, plastic bottles, cardboard, newspapers, magazines, toilet paper tubes, plastic bags, egg cartons and more—and express themselves in collaborative artwork for the sake of reducing waste.
Geneva Hannibal ’26, Claire Kischer ’26 and Gwen Crowder Smith ’26 have guided Art Club since the beginning of the calendar year with their president, Sage Lewis ’25, on study abroad.
“Art Club is special to me because as a biology major, I won’t regularly be taking art classes,” Hannibal said. “I really love art, and as a first-year student, Art Club gave me and my friends the opportunity, space, and materials to continue doing art in college. Art Club was described to me as a place for everyone to participate in the visual arts, especially for those who aren’t in art classes.”
She said Randa Alnaas ’27 of ECO Club was among the first to approach Art Club about working together. Saying yes to her was a no-brainer.
“Like most people our age, all three of us value sustainability,” Hannibal said. “I think the success of this will be that more students are interested in Art Club and ECO Club. We’d love to see more people come to us with ideas like Randa did, even if it isn’t for collaborations with other student orgs. Anything that gets students inspired to take on leadership roles or help with events is a success.”
Noah Pyle ’25, a task force leader for ECO Club, said busy schedules prevented cooperation between the groups last year, but once a get-together was on the calendar, securing materials proved to be easy.
“We sent out emails to say if you have these items, and you’re willing to clean and donate them for our event, we’d be more than happy to take them off your hands,” he said. “We ended up getting a decent amount of material. Just from that request, we received enough for people to be at the event the whole time and keep busy making their projects.”
Shahriar Akhavan Tafti ’24 of ECO Club said the meetings with Art Club exemplified how K student organizations can come together in a liberal arts environment, foster a community that is environmentally conscious and artistically vibrant, and nurture a passion for the arts and sustainability.
“It’s nice being a part of ECO because sustainability is something that everyone cares about at K,” he said. “The possibilities for collaboration here are almost limitless.”
Students can find more information about ECO Club at bit.ly/ECO-CLUB or on Instagram at @kzooeco. They also can check out Art Club on Instagram at @kzooartclub.
You’ve selected a small plastic peg (pink for female, blue for male), popped it in one of the four available station wagons, and placed it on the colorful board. You’ve chosen your starting direction—college or career—and off you’ve driven, spinning the whirring, ticking wheel and faithfully following the path. Collecting paydays, halting for marriage and the requisite spousal peg, adding baby pegs to your car as landing spaces dictate. Buying houses, hoping to make a profit when you sell. Advancing on the pre-determined path toward retirement, always with an eye to amassing as much wealth as possible along the way; that, after all, is how you win at the Game of Life.
Maybe you drive that path without questioning. Or maybe you wonder, every time: Why do I have to get married? Shouldn’t there be more forks in the road? Can I invent my own career path? What if winning wasn’t tied to wealth?
Growing up, Maddie Hurley ’24 loved playing the Game of Life with her two brothers or with a babysitter. A kid with a big imagination, Hurley’s play often centered around stories—narrating Barbie’s life, developing family dramas through playing house and reading books.
“I think I liked this board game specifically because it has that imaginative aspect,” Hurley said. “I could pretend I was a person with this home, or doing this career, and play out this made-up scenario.”
For the most part, she didn’t question the game too much as a child.
“I remember there were times, though, where I was like, ‘I don’t want to get married,’” Hurley said. “Or times where I would land on a square or draw a card that would tell me I had a boy or a girl, and I would be like, ‘I don’t want any boys. I only want girls,’ or I wouldn’t want to use a pink peg. I didn’t want to be a boy, but I wanted the color blue. I also remember wanting the highest-paid career so I could buy the most stuff and retire to the nicest place at the end; I always wanted to be the lawyer.”
Hurley found herself reflecting on what lessons she might have unknowingly absorbed from the Game of Life’s proscribed path and limited options during a junior-year women, gender and sexuality (WGS) seminar, WGS 390: Feminist and Queer Inquiries, with Assistant Professor of Art History and WGS Anne Marie Butler.
One text from the class that especially resonated with Hurley, Living a Feminist Life, by Sara Ahmed, explores life paths and happiness, and how society shapes our beliefs about those concepts. An article she came across in her independent research, “That Wasn’t Very Free Thinker” by Kim Hackford-Peer, relates a story of the author attending her son’s elementary school assembly. To show how the letter Q is always paired with U, second grade students acted out marriage between the quarterbacks and the queens.
“Although it’s an innocent idea and a fun way to help kids learn to spell, it’s so rooted in heteronormativity and gender fatalism,” Hurley said. “Those readings got me thinking about how these life paths have been constructed for me starting at a young age. What did I play? What movies did I watch? That led me to believe I have to get a job, be successful, get married, have kids, and buy a house, or I’m not going to be happy. How did I develop this belief? Where did it come from? Sorting through that reflection and thinking about what I did growing up, I ended up at the Game of Life.”
For her final project for the class, Hurley decided to reconstruct the Game of Life, so it no longer sent the message that there exists one, heteronormative path to happiness. Drawing on scholarly literature, she designed new elements to the game and analyzed the concepts of happiness and heteronormativity as well as the ways systems reinforce the dominant heteronormative narrative.
“Ahmed talks about the Middle English word ‘hap,’ which really means chance,” Hurley said. “You can’t complete certain steps to gain happiness. It’s something that you fall upon—something that just happens.”
So, Hurley included a square on the board that prompts players to draw from an emotion deck that may or may not provide them with a happiness card—the key to winning Hurley’s version—at random. She also introduced more options to many game elements.
“You can choose not to get married or you can choose multiple partners. You could choose to have kids or not have kids. You could get a pet. I included more jobs, like being a janitor or an artist. Instead of buying houses, you could be a traveler. You don’t even have to use a car or a person peg; there could be random player pieces you could choose. I wanted it to be very open-ended.
“I wanted no hierarchy of what is better and what is worse. You can just explore, and no matter which options you choose, you can still win, because everybody has the same opportunity to pull the happiness card.”
Another article the WGS 390 students read, “Punks, Bulldaggers and Welfare Queens: The Radical Potential of Queer Politics” by Cathy Cohen, brought home to Hurley the importance of avoiding a false dichotomy between queerness and heterosexuality. She made the game as inclusive as possible by adding to rather than replacing the traditional path of career, marriage, children, retirement.
“I wanted to make the board more extravagant,” Hurley said. “More pathways, more options. There is not one path to happiness, and we should all question things in our lives—the choices we’ve made, why we made those choices, the impact our experiences have had on our beliefs of life goals, happiness, what it means to be successful. Sara Ahmed wrote something like, ‘To live a feminist life is to question your way of life.’ I loved that, it really stuck with me, and I hope this project could make people question the games they’ve played, the shows they’ve watched, and how those things have influenced them.”
Hurley continues to question and explore her own choices and path. Even as she applied to Ph.D. programs in chemical biology and biochemistry, she asked herself if this was the future she wanted or simply the one she felt was expected.
“As of now, I am going to defer my enrollment a year to the University of Illinois, take a gap year, gain some work experience, and then circle back and see if this is something I want to do,” Hurley said. “I do like science, and I do like school. We’ll see.”
Hurley grew interested in a possible career in research while completing her Senior Integrated Project (SIP), which involved a research experience in a chemical biology lab at the University of Illinois over summer 2023. She has also participated in research at K, in Assistant Professor of Chemistry Blake Tresca’s lab. Other K experiences include studying abroad in Scotland, playing tennis and serving as president of the Food Recovery Network, as well as exploring the WGS offerings.
“Before going into this seminar, I didn’t recognize how heteronormativity is always in the background,” Hurley said. “We as a society don’t process it, because it is normalized, institutionally, through media, in board games. For anyone who deviates from that heteronormative path, there is always a fear of unhappiness, judgment, lack of success. This course and the readings helped me realize how those expectations were socially constructed. How many people have followed that path and are unhappy? It helped me reframe that perspective that heteronormativity tells us what will lead to happiness. You can’t achieve happiness, it’s just something that happens. Sometimes happiness is just there.”
Women’s, Gender and Sexuality Studies Collective Undergraduate Research and Activism e-Conference
Five Kalamazoo College students, including Maddie Hurley ’24, presented their work during the Great Lakes Colleges Association’s Women’s, Gender and Sexuality Studies Collective undergraduate research and activism e-conference on March 28–29.
Anne Marie Butler, Kalamazoo College assistant professor of art history and women, gender and sexuality (WGS), is a co-convenor of the collective and a conference organizer. Held annually for four years, each conference has included K students. Participation develops professional skills, including public speaking and creating a presentation for an external audience, and offers experience that serves students well whatever their next step may be. The conference also features two professional development panels, one focused on careers and one on graduate school.
“Many students present their senior research or SIP, so it provides a practice run if they have a departmental presentation, and a chance for them to share their work with a wider audience,” Butler said. “Students who attend the conference but don’t present can see the amazing research their peers are doing and will hopefully be inspired to present in a future year. I encouraged all of my students from my spring 2023 junior seminar, as well as my SIP students and other students from my classes to apply, and I was so happy that Maddie was interested, because her project does a great job of applying some of the theory we read in class to create a fun and innovative project.”
A biochemistry major, Hurley had previously participated in a poster session at an undergraduate science research conference. In addition to a different presentation format and a virtual experience, the WGS conference offered a different atmosphere.
“It was more open and flexible, and discussion based,” Hurley said. “It was nice to have a conversation about my project with other students and learn about the research they did, to see that we were all genuinely interested and learn about somebody else’s experience.”
Butler said the conference is for students of all years and majors.
“As long as the project ties into WGS themes in some way, we welcome those presentations,” Butler said. “We love creative, activist and research projects, and we have had projects from areas as diverse as biology, visual art, psychology, music and languages. Maddie is an awesome student. She’s very thoughtful and committed to understanding and working with course materials and makes great connections and applications beyond the materials as well, as seen in her project.”
K students presented the following projects at the conference:
Ryan Drew ’24, “The Epistemology of Woman: A Poetic Conversation Deconstructing Biology and Language”
Brynna Garden ’24, “The Influence of Natural Disasters on Violence Against Women”
Maddie Hurley ’24, “Remaking the Game of Life and Reframing Happiness”
Dugan Schneider ’24, “Breaking Linguistic Norms: オネエ言葉 (Onē Kotoba) as a Vehicle for Queer Identity Expression in Contemporary Japan”
Frances Trimble ’24, “(Re)imagining Knowledge Production in Higher Education Through Feminist Pedagogy”
Environmentally focused students are leading Earth Week events at Kalamazoo College this year.
Events will begin at 4 p.m. Friday, April 19, when K student organizations, the Environmental Stewardship Center and climate-action groups from around the city will gather for a climate rally at Bronson Park. Hear from sustainability-focused speakers and network with local environmentalists. The event is organized by Western Michigan University’s Climate Change Working Group and the ARDEA Youth Climate Coalition. K students interested in attending can gather in Red Square at 3:30 p.m. to walk to Bronson Park as a group.
Also Friday, Camran Stack ’24 and the student composting crew will host the K community at The Grove, between the Living Learning Houses and the Arcus Center for Social Justice Leadership, for some cathartic composting in Rot Your Troubles at 6 p.m. Write down your fears, troubles and pet peeves on compostable materials, and transform them into healthy and abundant soil that supports plant life.
Then, join the student Bike Co-Op for a ride along the Kalamazoo River Valley Trail beginning at 4:10 p.m. Monday, April 22. Ten bikes are available through Outdoor Programs for student use on a first-come, first-served basis. The ride will depart from the Dewaters Hall parking lot. Or, if you want to enjoy nature a bit closer to campus, join Jessalyn Vrieland ’24 and the other Hoop House Interns from 4:30–6 p.m. for some gardening with food crops. By the way, watch for more information on a Hoop House After Dusk on Friday, April 26, in collaboration with the Kalamazoo College Council of Student Representatives (KCCSR). Dress up in earth tones, enjoy some snacks and have fun with crafts.
Finally, the annual Senior Integrated Project (SIP) Symposium focused on sustainability will kick off with a keynote address at 7 p.m. Tuesday, April 23, in Dewing Hall, Room 103. Ashley Cole-Wick of the Michigan Natural Features Inventory will discuss her work to protect species of butterflies. Students then will present their SIPs in environmental studies, critical ethnic studies, biology and more at 7 p.m. Wednesday, April 24, in the Hicks Student Center Banquet Room.
“Sustainability is about making a dedication to and caring for this Earth that has existed since before we were here,” Vrieland said. “It’s important to remember that what we do impacts the environment. It’s something that we should make space for and exist alongside rather than over.”
For more information on Earth Week and other environmental efforts at the College, visit the Sustainability at K website.
Kalamazoo College President Jorge G. Gonzalez has been elected to a three-year term on the National Association of Independent Colleges and Universities (NAICU) Board. Gonzalez will represent Region V, which includes Illinois, Indiana, Michigan, and Wisconsin.
“It is an honor to be joining the NAICU Board of Directors,” said Gonzalez. “This organization plays a pivotal role in advocating for and protecting the independence of private, nonprofit higher education institutions and it is committed to promoting access to higher education for every student, regardless of financial background.”
Founded in 1976, NAICU represents 1,700 institutions in the U.S. and is the only national membership organization solely focused on representing private, nonprofit higher education on public policy issues in Washington, DC. NAICU board members set the association’s agenda on federal higher education policy, actively encourage support for the association’s priorities and initiatives, and oversee the organization’s financial administration.
Gonzalez has served as K’s president since July 2016. He previously served Occidental College as its vice president for academic affairs and dean from 2010–2016. Before working at Occidental, Gonzalez was an economics faculty member at Trinity University for 21 years.
Gonzalez served as the president of the International Trade and Finance Association in 2014. He is the president of the Board of the F.W. and Elsie L. Heyl Science Scholarship Fund, the chair of the Board of Directors of the Great Lakes Colleges Association, and serves on the boards of the Annapolis Group, the American Council on Education, Michigan Independent Colleges and Universities, Michigan Colleges Alliance, Bronson Healthcare Group, Kalamazoo Community Foundation, and the W.E. Upjohn Institute for Employment Research.
The members of the world’s largest organization of campus mental health leaders have chosen Kalamazoo College Counseling Center Director Erica Pearson to serve a three-year term as their treasurer.
The AUCCCD promotes college student mental health awareness through research, broad discussions of key campus mental health issues and trends, and related training and education, with special attention to issues of social justice.
“It is very exciting to be among accomplished leaders whose expertise and experience positively shape collegiate mental health,” Pearson said. “As someone who is younger in my career, it is encouraging and uplifting to be welcomed as a valued voice and to know that my strengths and unique perspective can be utilized to effect change.”
Pearson earned her Ph.D. in counselor education and supervision from Western Michigan University and her Master of Arts in counseling from Oakland University.
She is a licensed and board-certified professional counselor with specializations in trauma counseling and creative therapeutic approaches. She has worked with college students since 2015.
As the treasurer of AUCCCD, Pearson will collaborate with others from the organization to prepare budgets for each fiscal year, approve expenditures, prepare financial reports for the full board at quarterly board meetings, and present financial status updates to the membership at each annual conference. The rest of the executive board consists of an executive director, president, president-elect and secretary. They meet monthly to assist in leading the organization and making decisions that represent and advance the interests and needs of members.
“AUCCCD is an international organization comprised of more than 900 universities and colleges,” Pearson said. “It feels wonderfully fulfilling to embody my role as an advocate for college student mental health on such a large scale.”
Visiting Assistant Professor of Art History James Denison will conduct a public lecture from 6 to 7 p.m. Thursday, April 11, at the Kalamazoo Institute of Arts titled “Hogan-Minded: Race and Place in Georgia O’Keeffe’s Southwest.”
Denison will discuss his recently completed dissertation, which argues that past interpretations of O’Keeffe’s New Mexican paintings have obscured her engagement with Southwestern indigenous cultures. He will highlight the influence of tourist contexts and period racial thinking on her work, describing how it relied upon and perpetuated romantic stereotypes about those cultures circulating within interwar New Mexico and the Manhattan avant-garde. Ultimately, her paintings and writings show that she saw the region much as countless others had before: as both deeply informed by the presence and history of its native peoples and as open, empty and ripe for claiming.
Denison, a native of the Washington, D.C., area and a graduate of Bowdoin College, completed his Ph.D. in art history at the University of Michigan. He joined the KIA and Kalamazoo College last summer as the postdoctoral curatorial fellow. The event is presented jointly by KIA and Kalamazoo College.
The lecture is free to attend, but registration is encouraged through the KIA website.
Congratulations to the following Kalamazoo College students who achieved a grade point average of 3.5 or better for a full-time course load of at least three units, without failing or withdrawing from any course, during the Winter 2024 academic term. Students who elect to take a letter-graded course on a credit/no credit basis (CR/NC) are not eligible for Dean’s List consideration during that term. Nor are students who receive an F, NC or W grade for that particular term. Students with incomplete (I) or in-progress (IP) grades will be considered for the Winter 2024 Dean’s List upon receipt of their final grades. Dean’s List recognition is posted on students’ transcripts. Kudos to the entire group for Winter 2024.
Winter 2024
A
Callie Abair Shannon Abbott Cherry Acosta Fuzail Ahmed Kelley Akerley Maya Alkema Caleb Allen Randa Alnaas Mahmoud Alsafadi Fanny Alvarado Emiliano Alvarado Rescala Lana Alvey Zahra Amini Darsalam Amir Mia Andrews Eleanor Andrews Unayza Anika Michael Ankley Madison Anspach Maya Arau Kaelyn Arlington Lora Armstrong Emily Auchter Edith Aviles
B
Guenevere Baierle Annalise Bailey Lindsey Baker Baylor Baldwin Elizabeth Ballinger Zoie Banger Evan Barker Brianna Barnes Gabriella Barry Joseph Basil Hunter Bates Annalisa Bauer Nathan Bauer Emma Becker Curtis Bell Cassandra Bennett Aubrey Benson Jane Bentley Alexandrea Bernal Eleanor Bernas Jonah Beurkens Willow Bigham Thalia Bills Henry Black Douglas Blackwood Lizbeth Blas-Rangel Axel Bodeux Annaliese Bol Alexandra Bonebrake Luke Bormann Jack Boshoven Eleni Bougioukou Nathan Bouvard Holly Bowling Ella Boyea Yvette Boyse-Peacor Allison Bozyk Emily Braunohler Jay Breck Chloe Briggs Lukas Broadsword Avery Brockington Jonathan Brunette Chloe Bryant Anna Buck Anna Budnick Jaden Buist Victoria Burnham Ian Burr
C
Erendira Cabrera Amaia Cadenas Bailey Callaway Eleanor Campion Olivia Cannizzaro Arlanderia Cardenas Estelle Chloe Carlson Luis Castro-Limon Caleb Caul Emma Caulkins Isabella Caza Abigail Caza Daniel Celedon Alexandra Chafetz Iris Chalk Josetta Checkett Isabel Chiang Yongwan Cho Trustin Christopher Noah Chun Thomas Clark Maya Clarren Lilly Cleland Kai Clingenpeel Mai Elise Code Samuel Coleman Logan Coller Indigo Corvidae Courtney Cotter Cate Cotter Holden Coulter Gavin Crawley Lucy Cripe Mia Crites Gwendolyn Crowder Smith Emma Curcuru Maria Curcuru Isabel Curtis
D
Erik Danielson Jessica Dant Jasmine Davis Asha Dawson Tara Dean-Hall Lillian Deer Carson Deines Enrique Delzer Lina Denney Devi DeYoung Alexander Di Dio Liam Diaz Michaela Dillbeck Taylor Dinda-Albright Mariam Diouf Caitlin Dolan Rorie Dougherty Simon Doyle Jordan Doyle Ryan Drew Alexander Dubin Isaac Duncan Patrick Dunfee
E
Sally Eggleston Jairo Eguia Abigail Eilertson Sara Elfring Evelyn Ellerbrock Sara English Marvin Ernst Justin Essing Sam Ewald Caleb Ewald
F
Niklas Fagerman Andreas Fathalla Blake Filkins Bridget Finco Sara Finks Morgan Fischer Julia Fitzgerald Mabel Fitzpatrick Ella Flourry Robyn Foley Ross Fooy Kirsten Formell Parker Foster Andre Fouque Hillary Fox Kinga Fraczkiewicz Emma Frederiksen Landrie Fridsma
G
Tracy Galeana Lucy Gallagher Maria Garcia Brynna Garden Grey Gardner Ingrid Gardner Roberta Gatti Lyrica Gee William Geiger Grace Getachew Maira Ghaffar Griffin Gheen Logan Gillis Laura Goia Maxwell Goldner Cecilia Gray Donovan Greene Natalie Greene Kaitlyn Grice Natalie Gross Cassandra Grotelueschen Madyson Groth Oliver Gutierrez Paola Guzmán Jiménez
H
Sophia Haas Marissa Haas Aiden Habboub Sydney Hagaman Emma Hahn Emily Haigh Blu Haney Geneva Hannibal Rachel Harman Sophie Hartl Pauline Hawkes Beatrice Hawkins Jacob Hazlewood Zachary Heikka Megan Herbst Litzy Hernandez Sophia Herold Gerardo Herrera-Sanchez Maya Hester Ashlen Hill Hadley Hilner Bijou Hoehle Jacob Hoffman Garrick Hohm Annika Hokanson Ronin Honda Tyler Houle Gavin Houtkooper Sharon Huang Ethan Huebsch Samuel Hughes Lukas Hultberg Alek Hultberg Michael Hume Madelaine Hurley Megan Hybels Kennedy Hynde
I
Carson Ihrke Macy Ivins
J
Gloria Jackson Colton Jacobs Marquisha James Rex Jasper Ryleigh Jaworski Morgan Jenkins Anne Catherine Johnson Cloe Johnson Johe Newton Johnson
K
Amalia Kaerezi Jessica Kaplan Timothy Karubas Maria Kasperek Seth Keana Ella Kelly Emilia Kelly Blake Kelsey Mphumelelo Khaba Harriet Khamisi Anum Khan Mahum Khan Hibah Khan Jackson Kiino-Terburg Hyunwoo Kim Joshua Kim Dong Eun Kim Anwen King Caleb Kipnis Kendyl Kirshman Claire Kischer Alexander Kish Kathryn Klahorst Noah Kleiner Zoe Klowden Rhys Koellmann Melody Kondoff Maxine Koos Daniel Koselka Connor Kouki Emma Kovacevic Julia Kozal Christian Kraft Jason Krawczyk Jack Kreckman Nikolas Krupka Mara Krupka Annabelle Krygier Ealin Kubicki Celia Kuch Laryn Kuchta
L
Nicholas LaFramboise Rylee Lambert Olivia Laser Annmarie Lawrence Huin Lee Sydney Lenzini Nico Lipton Luis Lizardo-Rodriguez Alex Lloyd Logan Lockhart Alondra Lopez Beatriz Lopez Grace Lounds Teresa Lucas Lee Lum Jacob Lynett
M
Ellie MacE Lauren MacKersie Samantha Major Natalie Maki Andrew Mallon Lesly Mares-Castro Ana Marín Vintimilla Ariadne Markou Molly Martinez Natalie Martinez Isabelle Mason Hollis Masterson Virginia Matta Matthew Matuza Eliza Maurer Zachary Maurice Benjamin Maurice Cedric May Claire McCall Lauren McColley Liam McElroy MacKale McGuire Regan McKee Jacob McKinney Kira McManus Sophia Merchant Maximus Mercurio Rachel Meston Estelle Metz Allison Meyers Jack Miller Brittany Miller Ella Miller Jade Milton Ameera Mirza Jackson Mitchell Elana Mitchell Jacques Monchamp Mariah Moore Martin Morison Myotis Morton Maren Mosher Madeline Moss Fadi Muallem Mary Ellen Muenzenmaier Claire Mullins Andrew Munger Ella Myers
N
Nailia Narynbek Kyzy Blagoja Naskovski Ryan Neihsl Chloe Nelund Mackenzie Newhall Robert Newland Nguyen Nguyen Yen Giang Nguyen Theodore Niemann Joanna Nonato Will Norwood Haleigh Nower
O
Jeremiah Ohren-Hoeft Amara Okoro Gabriel Olivier Emma Olson Tyler Omness Kevin Oneill Eliana Orozco B Osborne Aryka Ostroski
P
Chelsea Paddock Maren Palmer Astrid Parker Eleanor Parks-Church Hannah Parsons Mia Pascuzzi Juniper Pasternak Eric Paternoster Morgan Paye Audrey Pegouske Mia Pellegrini Kaitlin Peot Alex Pepin Marcos Perez Margaret Perry Margaret Peters Paige Peterson Indigo Philippe Anna Phyo Sheyla Pichal Sydney Pickell Benjamin Pickrel Mia Pierce Isabella Pimentel Madison Pisano William Plesscher Alex Plesscher Megan Ploucha Madelyn Portenga Mauricio Posey Bea Putman
Q
Emma Quail Kelvis Quaynor Matthew Quirk
R
Elizabeth Rachiele Tieran Rafferty Savera Rajendra-Nicolucci Ana Ramirez Leah Ramirez Jessie Ramirez Lafern Ramon Liam Regan Isabel Reyes Jaycee Rider Sheldon Riley Emory Roberts Narelle Robles Jocelyn Rodriguez Schareene Romero Rivera Amelia Rooks Brigid Roth Elizabeth Rottenberk Sofia Rowland Nathaniel Rulich
S
Zenaida Sackett Sophia Sajan Abigail Samson Ryan Sanborn Leslie Santos Fiona Schaffer Leo Schinker Olivia Schleede Sophia Schlotterer Vivian Schmidt Annika Schnell Arden Schultz Ava Schwachter Amalia Scorsone Oskar Sears Jacinda Servantes Brendon Shaffer Tillie Sheldon Riley Shoemaker Cassidy Short Clara Siefke Mo Silcott Xavier Silva Julia Sitz Kiersten Sjogren Colby Skinner Maja Smith Anoushka Soares Erin Somsel Harry Spark Jonah Spates Ella Spooner Sophia Sprick Camran Stack Florian Stackow Marlee Standke Adam Stapleton David Stechow Joseph Stein Taylor Stephens Molly Stevison Emma Stickley Pavel Stojanovski Liliana Stout Zachary Strauss Donovan Streeter Kristian Strljic Abbygale Stump Maeve Sullivan Hannah Summerfield Keegan Sweeney Brandon Sysol
T
Madison Talarico Olivia Tessin Minh Thu Le Jayden Thurmond-Oliver Emily Tiihonen William Tocco Alexander Tolman Lily Toohey Simon Topf Derik Torres Jakob Torzewski Phoebe Tozer Vincent Tran Danielle Treyger Nghia Trinh
U
Hannah Ulanoski Gabrielle Unger-Branson
V
Tony Vaisanen Anthony Valade Christopher Van Alstine Lucy Vandemark Cameron VanGalder Mitchel VanGalder Cate VanSchaik Gianna Vicario Mirella Villani
W
Kaytin Waddell Joseph Wade Ava Wagle Ipsa Wagle Megan Walczak Andre Walker Madison Walther Natalie Ward Annslee Ware Ryan Warezak Riley Weber Charles Wester Grace Westerhuis Benjamin Whitsett Jay Wholihan Alicia Wilgoren Ava Williams Carson Williams Jordyn Wilson Siona Wilson Zoe Wilson Ruby Winer Hannah Witkoff Alexa Wonacott Maximilian Wright Emma Wrobleski
Y
Hailey Yoder Hillary Yousif
Z
Jacob Zeller Haochen Zhou Florian Ziolkowski Ariana Zito Rebecca Zoetewey Margaret Zorn Lee Zwart
National Poetry Month in April encourages a focus on the importance of poets and poetry in society. In recognition of this literary celebration, Kalamazoo College spoke with Zakia Carpenter-Hall ’06 about her roles as poet, teacher and critic, and the way each of those relationships with poetry feeds the others.
One of the earliest memories Zakia Carpenter-Hall ’06 holds of the “musicality of language” that eventually drew her to poetry involves family, cultural heritage and growing up in Pentecostal churches. Her grandfather and uncle both served as pastors.
“There was a musicality and cadence in the way that they presented stories,” Carpenter-Hall said. “I remember being very young and wanting to listen to sermons for those reasons and for the story within a story. I loved that there were layers to the parables they told, and that I could get something out of it, even at an early age. For me, though, that didn’t translate into storytelling; it translated into wanting to write poetry.”
By the age of 13, Carpenter-Hall was writing her own poetry. Yet at 19, she still found it difficult to absorb the words of Diane Seuss ’78, writer in residence and a professor of English at Kalamazoo College at the time. Seuss was the first person to tell Carpenter-Hall she could pursue poetry professionally if she wanted to do so.
“I didn’t personally know anybody who was a Black writer, a Black poet, who was actually doing that as a career,” Carpenter-Hall said. “I didn’t know if it was really possible.”
In fact, Carpenter-Hall left K feeling like she could not continue writing or furthering her education. After a couple years with AmeriCorps, an opportunity arose to move to the United Kingdom, where she initially pursued teaching at the elementary level. When she decided that wasn’t the right fit, her family and friends encouraged her to write. She gave herself a year to pursue it full time, “and then I just never went back. I got other jobs, writing-adjacent jobs, and I just kept going.”
“I had to change my relationship to writing and education. I learned how to have my own connection to writing, research and scholarship outside of an institution and away from the motivators of external gratification and grades. I had to learn how to enjoy writing again, like I did when I was a child.”
With the help of Black poets she met in England who became friends and mentors, Carpenter-Hall forged a new relationship to poetry that opened the door for her to return to school. She earned a Master of Fine Arts with distinction and is a fully funded researcher seeking a Ph.D. She also is writing, teaching and reviewing poetry.
“I really, really like having such a variety of things that I’m doing,” Carpenter-Hall said. “It all feeds into my writing.”
She teaches classes at a variety of places, including for the Poetry School.
“Teaching is like a laboratory of being able to explore whatever I’m thinking about at the time,” she said. “I’ve been able to teach classes on topics like myth, the body in poetry, and composition through a lens of collage. I love seeing how students work and develop over time, and how they interact with different texts. I will think I’m asking them to do one thing, and they will give me something I never would have expected. Students are wonderful in that way; you just cannot pinpoint, when you put an assignment together, how people are going to respond to it. As a teacher, you have to grow and continue to adapt your own perceptions, and I love the challenge in that.”
Her poetry reviews and poems have been published in Poetry Wales, The Poetry Review, Wild Court and Magma, and she has written multiple reviews for Poetry London.
“Reviewing poetry helps me incorporate other techniques and ways of presenting experiences and ideas,” Carpenter-Hall said. “It trickles into my own work, especially the things I find intriguing when I see other people doing them. Thinking about those things critically, and the way I have to read in order to review a collection, helps me to absorb what those different writers are doing, which then ends up coming out in my own idiosyncratic way in my work.”
When writing poems, she gravitates toward prose poems, sequences and long poems (“I like the challenge of holding the reader’s attention and seeing how long I can keep something of interest to me hovering in the air before gravity causes it to hit the ground,” she said).
“I am interested in whatever suits the content of what I’m writing,” Carpenter-Hall said. “I think about how I want the poem to be read, and I never think about form first. I usually write my early drafts in prose, and then I think about form in terms of what the poem wants to be, what the poem is trying to do. Once I have a sense of that, I break the lines and try different things until I hit on something that releases the poem. It’s a marriage of form and content for me.”
Prose poetry balances the lyricism of poetry with hints of the narrative of fiction, Carpenter-Hall said, without the beginning, middle and end readers would expect from a story. “Reading one is the experience of being dropped in the middle of something strange and unexpected.”
Her least favorite part of writing is getting words down on paper—or on the back of an envelope, typed at a computer, entered into a mobile app or whatever happens to be handy. With two young children who are both already interested in writing in their own ways, Carpenter-Hall can’t afford to be picky and will use any available medium.
“Sometimes an idea will be resonant enough to where I need to put it down on paper or I hear lines in my head, but usually I trick myself into writing something by taking a class or agreeing to a deadline that forces me to go through that process,” she said. “Once I feel like I have something here that can be molded, like clay for a sculpture, then that’s the fun part for me. It’s like a puzzle. I get to shape things; I get to move things around; I get to say, ‘Ooh, is this the beginning or is the beginning at the end? What about this line? Can I move this over here? What does that do to the poem?’ I’m looking for that feeling when you put a puzzle together, and it’s like, ‘Ah, it’s complete’—except with poetry, I don’t know what that finished thing is going to look like when I start.”
In addition to many published poems, Carpenter-Hall’s debut poetry collection, Into the Same Sound Twice, was published in April 2023 by Seren Books.
“My poetry is like a universe in the palm of your hand,” Carpenter-Hall said. “It’s vast, in the condensed space of a book, and it’s felt, it’s experienced through the senses. I have to ground the ideas and lived experiences in the physical world, so you have the vastness, but you also have intimacy.”
Key motifs in Carpenter-Hall’s poems include water, hair and gold. Many of her poems explore themes including science, the environment, human relationships and interactions with each other and the natural world, intergenerational familial relationships, motherhood and mothers, music, the speculative and surreal, expansiveness, the universe and space beyond, permeable borders, and visual art.
“What I would like people to know about my poetry is that it is both complex and accessible,” Carpenter-Hall said. “People who may not read poetry regularly might think, ‘Oh, if there’s a poem with a mother, it’s your mother, and if it seems like a story from your life, that’s it.’ I want people to know that, at least for my own poetry, it has a bit of allegory, it has myths embedded in it. I don’t see it as facts we can know; I’m not led by the specifics of what happened on a certain occasion. There’s more of an emotional truth and other meaning I’m trying to uncover. I’m always looking for the layers beneath an experience, for what I don’t understand about this thing that happened. I’m trying to explore the edge of what I know and go beyond that.”
The Pitch
By Zakia Carpenter-Hall ’06
Instead of words, rocaille beads pour from my mouth and all the garments I’ve presented have been held together with a glue gun applied to the seams. Ms. Fashion Exec says, How do you plan to make money?, as the carpet begins to unspool because that too was somehow made by me, flecks of paint peel off the walls and swirl around the room. I am as silent as snowfall, but I show them diamonds made of paper, shoes constructed solely in felt. One interviewer asks whether or not this is a joke. This is not a business, the panel says, as the room fills up with my attempts—like the enchanted broom in Fantasia which kept going back to bring forth buckets of water long past there being a need—drawings I drew, dance choreography. It’s too much, they say, all this longing and striving. A gale comes in of the same force that’s beating against my lungs, as if someone’s opened windows on the 100th floor of a skyscraper, this ledge of fashion, and this gust eats at the panel’s notes. The judges still try to get their questions to me by courier, their clothes billow away from their bodies. What would you do if you had the money?, they ask. I tell them there would be more of me, and I would be gesticulating like a conductor in the centre of it all. Waves of sound and light crash at my feet. Building works commence next door and it sounds as though the workers are trying to break into the room with chisels. The panel take out their Louis Vuitton hard hats and persist, like this is just another wardrobe malfunction. And the room begins to glow white-hot.
Into the Same Sound Twice (Seren, 2023)
Carpenter-Hall’s Work
Visit Zakia Carpenter-Hall’s website for more about her life and work.
This summer, Carpenter-Hall will teach an online course titled Zig Zag Motifs: Lyric Invitation, Immersion and Criticism Masterclass through the Poetry School. Learn more and enroll.
Carpenter-Hall will be one of the contributing editors for the winter 2024 issue of Poetry Wales. To submit work for consideration, watch for the submission window to open here.