Mah-Hi-Vist Goodblanket, Christina Tahhahwah, John T. Williams, Nicholas “Sul” Concha, Corey Kanosh, Benjamin Whiteshield, Christopher J. Capps, Sarah Lee Circle Bear, Loreal Juana Barnell Tsingine, and Paul Castaway are just some of the Native Americans who have recently been killed by police. Indeed, Native Americans are the race most likely to be killed by law enforcement. Yet these stories are ignored in mainstream media. Violence against Native women is an epidemic: one in three Native women will be raped in her life time, and Native women are murdered at a rate ten times the national average. Yet this violence is often not known outside of Native communities. Over and over again, violence against Native Americans is rendered invisible. This syllabus was formed to help fill this absence. Even if ignored in mainstream social culture, Native Americans are always organizing and advocating around issues that impact them. The original Native Lives Matter Coalition…
https://youtu.be/4dqe_qhLtns A new documentary called Visions of Abolition, by UCR Professor Setsu Shigematsu explores the racist aspect of the prison system and the alternatives that could be imagined to our current system of retributive justice. Visions of Abolition features Angela Davis, Ruthie Gilmore, Dylan Rodriguez, Susan Burton, and many others involved in an organization called Critical Resistance, and the growing prison abolition movement.
It was “Groundhog’s Day” at Stateville Prison; that is to say, another redundant night. I sat on the top bunk in my small concrete box, head scraping the low paint-chipped ceiling, cursing my two-hundred dollar 13-inch flat screen television. It was defiantly cutting off every few minutes, despite my chastising finger mashing the power button and my verbal assault on its character: “piece of crap!” I’d only had it for a year. The joint had sold me a lemon.
https://www.youtube.com/watch?v=P8rBeFw147E Chris Hedges discusses building successful non-violent mass movements with Bill Ayers, author of “Demand the Impossible.” Ayers reflects on his experience as one of the co-founders of the Weather Underground, a communist revolutionary group from the late 1960s that was dedicated to the violent overthrow of the U.S. government. RT Correspondent Anya Parampil looks at the rise and demise of the Weather Underground.
In our pursuit of a world powered by love and reaching toward joy and justice, imagination is our most formidable and unyielding ally—the people’s common asset, an endowment to each one and the indispensable weapon of the powerless. Yes, they control the massive military-industrial complex, the sophisticated surveillance systems, the prison cells, and the organized propaganda—and these are on constant display as if to remind us every minute that there is no hope of a world without the instruments of death and oppression—and we have only our minds, our desires, and our dreams—and each other. And, yes, in a fixed war or a traditional conflict we are finished before we start. But it’s also true that there’s no power on earth stronger than the imagination unleashed and the collective human soul on fire. In irregular combat or a guerrilla struggle that pits our free imaginations against the stillborn and stunted imaginations of the war-makers and the mercenaries, we will win.
The one-year anniversary of the “Cologne attacks” on some 1,200 women on New Year’s Eve is a difficult one for many Germans. Prior to the attacks, since the summer of 2015, Germany demonstrated remarkable leadership – unlike many other European countries – by providing refuge to a million people fleeing war in places like Syria, where nearly half the population fled their homes. Last year’s attacks, most of which took place in the Cologne train station and included sexual assault, rape and robbery, were a tipping and turning point for many Germans.
https://www.youtube.com/watch?v=IPLgbgl4q8E American Red and Black: Stories of Afro-Native Identity by Alicia Woods, 2006. This intimate film follows six Afro-Native Americans from around the U.S., as they reflect upon the personal and complex issues of Native and African heritage, ethnic identity, and racism within communities of color.