SAMPLE COMPREHENSIVE EXAMINATION QUESTIONS

Existentialism and Film

 

  • Many have argued that existentialist ideals such as passion (Kierkegaard), the will to power (Nietzsche), authenticity (Heidegger), radical freedom (Sartre), and once-ocurrent being (Bakhtin) are inimical to moral equality and ethical reciprocity. By closely analyzing one of these existentialist ideals of human thriving, critically examine the argument that such ideals are incompatible with normative concerns.
  • What is Existentialism, and how might we understand its legacy in regard to ethical and moral concerns?
  • Choose a classic Existentialist thinker– e.g. Kierkegaard, Nietzsche, Heidegger, Sartre, de Beauvoir, (early) Bakhtin, etc. – and show he/she understands the role of the will in a human life in contrast to traditional accounts.
  • Choose a classic Existentialist thinker– e.g. Kierkegaard, Nietzsche, Heidegger, Sartre, de Beauvoir, (early) Bakhtin, etc. – and show he/she understands the role of emotions in a human life in contrast to traditional accounts.
  • How should we understand Johannes de Silentio’s call for a “teleological suspension of the ethical” in connection with traditional Eudaimonistic and Deontological ethical theories? What in your estimation is gained by this critique of desire and/or duty as our basic orientation to the world and other human beings?
  • What is Anti-Climacus’ definition of the self in The Sickness Unto Death, and how do you assess his radical emphasis upon “resting transparently in another”? In other words, assess the liabilities and assets moving beyond aesthetic and ethical modes of existence.
  • Does it make sense to think that there are absolute individuating duties?
  • In ”The Present Age,” Kierkegaard marshals a powerful attack upon modernity. What is this critique of modernity, and how do you assess it strength as a critical examination of contemporary circumstances?
  • What is the difference between Husserl’s and Heidegger’s understanding of phenomenology?
  • Carefully explain why Heidegger views his analysis of human being (existence) – the Daseinanalytik – as a necessary preliminary to his analysis of being (presence) – that is, the Seinsfrage.
  • Compare and contrast Heidegger’s and Sartre’s conceptions of emotions. What are the liabilities and assets of linking emotion to, respectively, world-disclosure and volition?
  • Compare and contrast Heidegger’s and Judith Butler’s accounts of social recognition. Which, in your estimation, is better suited to address social and cultural oppression?
  • What type of inquiry does Nietzsche propose in his Genealogy of Morals and Beyond Good and Evil, and how does it address the quintessential modernist concern with freedom?
  • How does Nietzsche understand “values” and their role in orienting agents to the world? What repercussions might his views have on traditional accounts of moral psychology?
  • Charles Taylor argues that Sartre account of freedom is untenable. Do you find this Taylor’s critique of radical freedom convincing?
  • What is Bakhtin’s argument against Kantian accounts of the moral act? How do you assess this critique?
  • What, according to Bakhtin, is “fatal theoreticism” and the equally dangerous way of acting he calls “aestheticism”? What repercussions might his views have on how we understand education, moral reciprocity, interpersonal relations, or autobiography? [choose only one]