{"id":3679,"date":"2013-11-21T18:39:41","date_gmt":"2013-11-21T22:39:41","guid":{"rendered":"http:\/\/www.kzoo.edu\/news\/?p=3679"},"modified":"2022-03-24T11:24:46","modified_gmt":"2022-03-24T15:24:46","slug":"face-time","status":"publish","type":"post","link":"http:\/\/www.kzoo.edu\/news\/face-time\/","title":{"rendered":"Face Time"},"content":{"rendered":"<p>We love faces; our lives depend on it from an early age. And a close-up on a face is one of the most notable differences between the experience of a movie and the experience of live theater. When we choose to see a film instead of a play it may be, in part, because were drawn to the human face. In her latest installment of her <em>Psychology Today<\/em> blog (What Shapes Film?) Associate Professor of Psychology <strong>Siu-Lan Tan<\/strong> explores what attracts us to cinematic face time. Her article is aptly titled &#8220;3 Reasons Why We\u2019re Drawn to Faces in Film.&#8221; Maybe it should be four reasons, because music plays a big role as well. It\u2019s a fascinating read, and Tan demonstrates her points with faces from some pretty famous films, including <em>Amelie<\/em>, <em>It\u2019s a Wonderful Life<\/em>, <em>Saving Private Ryan<\/em>, and <em>Toy Story 2<\/em>, among others. Of particular interest is how facial close-ups make us, the audience, both mirror and blank-canvas-and-painter, depending on a face\u2019s intensity or nuance, respectively.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We love faces; our lives depend on it from an early age. And a close-up on a face is one of the most notable differences between the experience of a movie and the experience of live theater. When we choose to see a film instead of a play it may be, in part, because were [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233],"tags":[42,61,60,37,58],"post_formats":[],"class_list":["post-3679","post","type-post","status-publish","format-standard","hentry","category-faculty-staff","tag-arts","tag-music","tag-psychology","tag-research","tag-theatre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Face Time - News and Events<\/title>\n<meta name=\"description\" content=\"We love faces; our lives depend on it from an early age. 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And a close-up on a face is one of the most notable differences between the experience of a movie and the experience of live theater. When we choose to see a film instead of a play it may be, in part, because were drawn to the human face. In her latest installment of her <em>Psychology Today<\/em> blog (What Shapes Film?) Associate Professor of Psychology <strong>Siu-Lan Tan<\/strong> explores what attracts us to cinematic face time. Her article is aptly titled &#8220;3 Reasons Why We\u2019re Drawn to Faces in Film.&#8221; Maybe it should be four reasons, because music plays a big role as well. It\u2019s a fascinating read, and Tan demonstrates her points with faces from some pretty famous films, including <em>Amelie<\/em>, <em>It\u2019s a Wonderful Life<\/em>, <em>Saving Private Ryan<\/em>, and <em>Toy Story 2<\/em>, among others. Of particular interest is how facial close-ups make us, the audience, both mirror and blank-canvas-and-painter, depending on a face\u2019s intensity or nuance, respectively.<\/p>\n","comment_info":"No Comments","_links":{"self":[{"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/posts\/3679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/comments?post=3679"}],"version-history":[{"count":9,"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/posts\/3679\/revisions"}],"predecessor-version":[{"id":11624,"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/posts\/3679\/revisions\/11624"}],"wp:attachment":[{"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/media?parent=3679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/categories?post=3679"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/tags?post=3679"},{"taxonomy":"post_format","embeddable":true,"href":"http:\/\/www.kzoo.edu\/news\/wp-json\/wp\/v2\/post_formats?post=3679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}