Welcome to Japanese 233:

Study Tour about Japanese Women

Last updated Wednesday, June 9, 2004

 

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Himeji castle Torii gate Noh masks Maiko


Announcements

 

 

 

 

 


 

Assignments

Here is a copy of your syllabus (PDF file)

Spring Meetings
Iwao questions Sievers assignment
Pre-Modern readings background Ogasawara questions
Pre-Modern readings questions  Twilight Years
Flowers In Salt Summaries  

 

 

Reading assignments

Week Date Readings before meeting Activity
3 3/15/04   Course requirements
Intro to women in contemporary society
4 4/22/04   Lunch meeting with Karen Hill Anton to discuss life as a foreign woman in contemporary Japan
5 4/27/04   CIP Orientation
5 4/29/04

Iwao, Japanese Woman

Women in contemporary society
7 5/13/04
  • Genji selection;
  • Pillow Book selection;
  • Bundy, "Japan's First Woman Diarist and the Beginnings of Prose Writings by Women in Japan;"
  • Onna Daigaku (to be handed out)
  • Web article on Tokugawa women
  • Sievers, Flowers in Salt (1-26, 87-195)
Heian, Tokugawa, Meiji/Taisho
9 5/27/04
  • Ogasawara, Office Ladies and Salaried Men
  • Ariyoshi, Twilight Years
  • War recollections from Haruko Taya and Theodore F. Cook, Japan at War: An Oral History (handout)
Contemporary/Work/War


Discussion Questions for Ogasawara (May 27 meeting)


Discussion questions for Ogasawara

Ogasawara, Yuko. Office Ladies and Salaried Men: Power, Gender and Work in Japanese Companies. UC Press, 1998.


INTRODUCTION

  1. Ogasawara states that she finds it difficult to speak of the status of Japanese women to friends in the U.S. Why?
  2. "Women grant their husbands authority, prestige, and respect in exchange for power, thus perpetuating the "myth" of male dominance." (p. 7)
    How does this quote explain power relations in many Japanese families?
    What does Ogasawara see as the difficulty in studying this situation?
  3. What do you think is going to be the key argument of this book?

Chapter One: THE JAPANESE LABOR MARKET AND OFFICE LADIES

1. How would you characterize three different corporate job tracks—

  Integrated track Clerical track Miscellaneous
Who gets this kind of job?      
What chances for promotion does each have?      
  1. Ogasawara describes the typical OL's work--her complaints with it, the substance of the work, the duties and attitudes that reinforce her status as a subordinate. Briefly summarize these here by imagining a day in the life of one OL.
  2. What is the OL’s contribution to the economy of Japan?

Chapter Two: WHY OFFICE LADIES DO NOT ORGANIZE

  1. Ogasawara points to division within the OL ranks as one reason why women do not organize. What causes these divisions? Do you see such divisions as benefitting the company or not?
  2. In what ways do attitudes toward older OL, and toward marriage and motherhood as ultimate destinations in a woman's lifecourse contribute to the early retirement of OLs? How does such retirement benefit the company?
  3. Given the constraints described by Ogasawara, could you imagine OLs organizing in some form?


Chapter Three: GOSSIP

  1. What are the OL criteria for evaluating the men for whom they work?
  2. How can their gossip about a man affect his career?
  3. How does Ogasawara argue for viewing the gossip among OLs as a subversive act of resistance? What is accomplished through this kind of resistance? Who stands to get hurt, get helped?

Chapter Four: POPULARITY POLL

  1. How do OLs use Valentine's Day chocolate to assert their influence over the careers of young, male managers?
  2. How does the public nature of farewell flowers give the OL power over a man's status in a company?
  3. How does OL gift-giving on these occasions bring together OLs as a group, rather than make individual OL conspicuous? How does this group identity through gift-giving advantage the OLs and disadvantage the male manager receiving the gift?

Chapter Five: ACTS OF RESISTANCE

  1. Name the five behaviors that Ogasawara describes as OLs' acts of resistance.
  2. Why do OL get away with insubordination? Why do some OL disapprove of the manager's tolerance for this?

Chapter Six: MEN CURRY FAVOR WITH WOMEN

  1. What are White Day gifts?
  2. What role do managers' wives assume in this gift-giving custom?
  3. What happens to the man who refuses to give White Day gifts?

CONCLUSION

  1. What are the author’s conclusions about the role of OLs in Japanese companies?
  2. What are the author’s predictions for the future of OLs in Japanese companies?

Twilight Years: Questions to help your thinking.

  1. What were the circumstances of Nobutoshi and Akiko's marriage?
  2. What is their respective family background? What is somewhat unusual about Akiko's family background? Why, do you think it is made an issue?
  3. Where is Nobutoshi originally from?
  4. Does it seem he has an elder brother?
  5. Why are his parents living in Tokyo?
  6. Who are his other family members?
  7. Who are Akiko's family members?
  8. What does Mitsuko call Akiko? What do you make of this?
  9. About how old is Satoshi? What kinds of comments does the author make about him?
  10. How are Nobutoshi's parents described? Particularly notions of "Meiji man and woman."
  11. What kind of person is Kyoko, Nobutoshi's sister? Why does she do so little to help out? Do you have a good impression of her? Why or why not?
  12. Why is Akiko working? How does she suspect her husband feels about it?
  13. What made it possible for her to keep working after the birth of her child?
  14. How does Akiko feel about working herself? Could you see yourself feeling this way?
  15. For what kind of qualities does the author seem to "praise" Akiko?
  16. What are Akiko's responsibilities in the family, tangible and intangible?
  17. How much help does she get from her husband and son? How much help does she expect/ ask for? Why?
  18. How is Akiko compared to Kyoko? to Mrs. Kadokawa's daughter-in-law?
  19. In what ways is Akiko perhaps inadequate, at the beginning of the novel?
  20. What positive personal traits does she have?
  21. Could Akiko ask for more household help?
  22. Could Nobutoshi provide the help?
  23. Does Akiko really want to ask for help? What would be the emotional consequences of her asking for help?
  24. How is Akiko pressured to be a certain way? By whom?What is the author's message? Point? What are we supposed to think at the end of the novel? Esp. if we were Japanese women, what is the message to us?
  25. What was the story? In most Western novels, there is character development, or a progression. ^Is there one in this novel? What is it? How does Akiko develop as a character? How is Akiko different at the end of the novel from the way she was at the beginning? Have the other characters changed?
  26. Does the author approve of Emi and Yamagishi?
  27. What is finally most important to Akiko?
  28. Is this finally a conservative or radical novel?
  29. What does it mean to be an adult woman in Japanese society? How does one become a full fledged adult woman? What is Akiko's development as a person? From what to what?

Sievers Assignment: Summaries

 

 


 

Reading guide and study questions for pre-modern women (May 13 meeting):

Statement of principles:

 
 

To understand any culture, nothing can take the place of a historical consciousness, both of the culture under investigation as well as of one's own. Repeat after me: There is no such thing as traditional Japan. There is no such thing as traditional Japan. The past is not a mass of undifferentiated time. Henceforth, it will be expected that statements about pre-twentieth century Japan will be qualified by a specific century or historic period. Naive statements attributing practices, ideologies, etc. to a vague traditional Japan will not be accepted. Unfortunately, we cannot simultaneously introduce the class to the history of women in the western world, but be very, very wary of privileging your own twenty-first century, middle class, American lives as the norm for American women of your own generation, let alone centuries of women's experiences in the west. Make sure your comparisons between cultures have bases in the historical realities of both cultures.

Overview of the handout reading:  
 

The readings can be divided into three groups: those dealing with the Heian period, those that address the Tokugawa period, and the several first person accounts of the war years (WW II) written by women.


The Heian (roughly 9th through 12th centuries) and Tokugawa (17th through 19th centuries) readings (the latter includes a website[URL below]article also to be read) will introduce the quite different circumstances under which women lived in those centuries. Much of what is often described simplistically as pre-modern Japan has its roots in the Tokugawa period. It is in this period that Confucianism became the dominant ideology, influencing strongly the position of women. However, the articles assigned will complicate matters by introducing a gap between ideology and practice as well between classes.


The Heian period (and earlier) is a different matter altogether. This is a period in which upper class women were highly literate in Japanese (the syllabic system rather than Chinese characters), all women were legal persons who could inherit property and to whom children belonged, and could have a degree of sexual choice unmatched in later times. Because of the nature of Heian marriage in which, especially early in the relationship, men "commuted" to the wife's house, women also were free from the supervision of the husband and in-laws and had "room of [her] own." (Check out Virginia Woolf's essay of the same name, if this reference is not clear to you.)


One consequence of these rights and freedoms was a literature that explored deeply the emotional complexities of male-female relationships. Rights and freedoms do not guarantee happiness; such is the nature of the world, and the women writers of the time speak movingly of the inability to sustain relationships with the men they love. In this period it is Buddhism that explains why things are the way they are. To make sense of their lives, Heian women turned to Buddhism and its ideas concerning the instability and waywardness of all things, most importantly human affection.

Heian readings  
  1. "Beginnings of Prose Writings by Women in Japan"
  This article is provided for the background information it gives for the social place of upper class women in Heian Japan (794-1185 CE) Uniquely in the world, Japan's earliest prose, vernacular (Japanese) literature is the work of women. This article gives an introduction to those circumstances, especially the intersection of Japanese language, its sentiments, and femininity. There are two complete translations of the Kagero^ nikki. The better by far of the two is Sonja Arntzen's Kagero^ diary, which is available in the library.
  2. Selected chapters from The Tale of Genji.
 

The Tale of Genji is generally considered to be the earliest "novel" in the world. Its author, Murasaki Shikibu was a court woman, who composed the text beginning around 1000 CE. It recounts the life of Genji, the son of an emperor, and his numerous relationships with women. It is beyond the scope of this short document to go into the thematic complexities of the text, which are in any case, much debated. Suffice it to say, it is overall strongly Buddhist in tone but can be read as well in a proto-feminist manner, that is, as disclosing the unhappiness of women in their relationships with men.

 

The text begins in a very romantic fashion, as you will see, but in the later chapters becomes much more realistic and darker in its vision. Chap. 1 recounts Genji's birth and early years, as well as the love between the emperor and Genji's mother.


Chap. 2, of which only part has been copied for you, presents an interesting double vision of a woman author, writing for women, describing men discussing women. In the old days of scholarship, male scholars (what other kinds were there?) read this passage as Murasaki's unproblematic judgment of her sisters. However, in recent years, we are more able to see the author's ironic look at the supposedly authoritative masculine gaze.


Chap. 9 takes place about five years later. Genji's wife Aoi, to whom he was married at the end of chap. 1. She has never been the focus of his feelings, but she is at long last pregnant. Genji has also, for want of a better word, kidnapped a young orphan girl, Murasaki, who closely resembles his father's concubine Fujitsubo, who Genji loves. Fujitsubo herself resembles Genji's late mother. This theme of substitution rests in the Buddhist notion of ephemerality and the impossibility of ever wholly attaining the object of one's desire. Genji has been caring for the orphaned Murasaki, raising her to be the perfect, most beautiful and most accomplished of all women. In the meantime, Genji has been involved with another woman, the Rokujo^ Haven. She is a woman of high rank, pride, and accomplishment, who cannot tolerate the humiliation of losing her lover to other women. In Buddhist terms, Rokujo reveals the danger of excessive emotional attachment-a constant theme in the text. At the same time, she functions throughout much of the book as the voice of female rage, speaking for several of Genji's more docile and long-suffering lovers. She is "the madwoman in the attic" who speaks what the good heroines cannot.

The Genji contains fifty-four chapters. Genji dies between chapters 41 and 42, and the remaining chapters center on two of his descendents Niou and Kaoru. Much of the final ten chapters take place not in Kyoto but in Uji, an area in that time a day's travel from the city, along the Uji River. There the two male protagonists become involved with various women. This section of the novel is much darker than the Genji chapters, filled with misunderstandings and resentments, with women increasingly turning their backs on the possibility of relationships with the men who court them. Even in the Genji chapters, there were women who became nuns, renouncing their sexual beings, to escape from relationships. In the Uji chapters, two women also die or attempt to die, so pressured they feel to respond to men when for complex psychological reasons they are unable to do so.

  3. Pillow book selection
  Sei Shonagon was a contemporary of Murasaki Shikibu; they served at court at the same time, but in the entourages of different imperial concubines. Instead of Murasaki Shikibu's focus on the pathos of human relationships and their ultimately unsatisfying nature, Shonagon took a more brisk, unsentimental approach to life. Her text, The pillow book is a collection of journal entries on whatever she found interesting enough to write about. This particular entry is her look at the desired decorum of a lover.
Tokugawa period  
  4. Onna daigaku
  We jump the Tokugawa period and 1672, when this text was prepared by Kaibara Ekken (Ekiken), a neo-Confucian ethicist. Following upon a feudal period that began in the later twelfth century, the Tokugawa period was significantly different in its social structure, legal systems, etc. from the court society of the Heian. In the prior warrior society, women had already lost much of their legal status as persons, and under Confucian influence, their (primarily samurai women) behavior was explicitly monitored in the Tokugawa. Because there were few moral guides for women and girls, Kaibara produced this text. The title is "The woman's 'Great Learning'" (the women's equivalent of the Chinese Confucian classic "The Great Learning.") Read this text first and then the "Marriage and divorce" and the "Good Wives" website (www3.la.psu.edu/textbooks/172/ch11_main.htm) for a more realistic view of what occurred in society.
  5. "Marriage and Divorce"
  This chapter is taken from a translation of Yamakawa Kikue's (1890-1980) recollections of the stories her mother told of her life in the last half-century or so of the Tokugawa period. Incidentally, Yamakawa was herself an early socialist and feminist leader in modern Japan. (A research paper topic?)
World War II  
  6. Voices of women in WW II.
  These are several first-person accounts of women's lives during World War II. They provide background for our visit to Hiroshima.

 


Below are the questions for the following handouts: Genji, Pillow book, Onna daigaku, and Marriage and divorce. Another document will follow for the website article, "Good Wives and Wise Mothers."


Genji questions


chap. 1 (Pawlonia Pavilion)


1. What is the background of the consort [Haven] so beloved of the emperor?
2. Who is her primary rival? How does her background differ?
3. What are the consequences for the women of many women serving the Emperor as consort? That is, what are the sexual politics of the imperial court?
4. How has the emperor violated the proper order of things in his love for the Haven lady?
5. In Buddhist terms, what are the consequences of human attachment? For the emperor? For the Haven's mother?
6. What marvelous qualities does the young Genji (the Haven's child) have?
7. Why does the emperor not make him Crown Prince?
8. Why does the new Consort, Fujitsubo, escape the poor treatment that ended the Haven's life?
9. Who does she so resemble?
10. At the end of the chapter, what is the nature of Genji's love for Fujitsubo?
11. Why is the Minister of the Left's daughter less than pleased to be married to Genji?
12. What themes are set up? What plot complications?


Chap. 2 (Broom Tree)


1. What picture of male-female relations do you get at the beginning of the chapter with the discussion of the notes.
2. What are the various rankings/categories of women that the men come up with?
3. What are the expectations for a wife? What qualities make a woman a less attractive candidate for a wife?
4. How do the men feel women should deal with their (the men's) infidelity?
5. And if the women do otherwise?
6. If the women are quiet and unprotesting, what seems to happen then? Look at the Secretary Captain’s story.
7. How do the men deal with the women's infidelity and other "failings?"
8. Who do the men consistently blame for the failure of relationships?
9. What, in sum, are the qualities that men wish for in women?
10. What means of protest or control are available to women in their relationships with men?


chap. 9 (Heart to heart)


1. Who is the woman about whom the emperor (Genji's father) scolds Genji?
2. What happens between Genji's wife's men and those of the Rokujo Haven at the Festival? Why?
3.How does Genji's behavior at the Festival add to Rokujo's pain?
4. Who lives at Nijo^ palace?
5. What is Rokujo's state of mind in the days after the Festival?
6. In the meantime, what is happening with Genji's wife?
7. Who are the people who might be possibly possessing her?
8. Whose spirit does appear to be possessing her? How does that person react to her knowledge?
9. When Genji's wife recites a poem to him, whose voice does he think he hears?
10. Does this poem seem in character for that woman? For Genji's wife? What quality of character do these women share that seems alien to the poem?
11. Why does Genji now seem actually to love his wife?
12. To whom does Genji turn near the end of the chapter?
13. What happens between them? How is her reaction depicted? Why?

Pillow Book questions

1. Compare with the Genji's discussion by men about what they desire in a spouse. Bearing in mind that Sho^nagon is not describing a husband, how do the two descriptions differ in their focus? What are the qualities that she desires men to have? What sorts of things are not mentioned?
2. Who do you think Sho^nagon's audience is for her journal entry?

Onna daigaku (Great Learning for Women) Questions


1. Why is the proper education of girls/women especially important?
2. What are the proper qualities of a woman?
3. Why must women keep so apart from men?
4. What do the seven reasons for divorce tell you about the expected function and behavior of a wife in her husband's family?
5. The author writes that "A woman has no particular lord" (38). How does he then go on to fit the woman into the hierarchical structure of obedience of Tokugawa society?
6. What are the sorts of behavior that a woman must be on guard against? From what do they all detract, making them so undesirable?
7. What is the woman's role in relation to her inferiors (servants)?
8. What is meant by a woman's silliness? What would be a more precise term or phrase?


Marriage and divorce questions


1. What were the various considerations in choosing a marriage partner?
2. What were the impediments to marriage for men? Why could younger sons not get married?
3. Why did some women have difficulty in getting married?
4. According to the author did divorce and remarriage actually take place? What do you make of this?
5. What and whose considerations led to remarriage after the death of a spouse?
6. How, according to the author, were women/girls taught the "Great Learning for Women?"
7. How does the author explain the principles behind the “Great Learning”? What was important in a Tokugawa era, samurai marriage and how did that differ from the modern sense of "sexual morality?"
8. How was the position of the wife distinguished from a concubine’s and thus protected? Ironically, how did this break down in the early Meiji period?
9. In fact, do you see this as protection? What burdens would a wife with a husband with concubine(s) have?
10. Why was it more likely for a lower ranking samurai to divorce his wife, rather than take a concubine?
11. What other reasons for divorce does the author discuss? Why were these divorces necessary, given the Tokugawa samurai values? In each case, on whose authority is the divorce conducted?
11. Does the author's statement that the "husband’s side …would not have been able to act so irresponsibly were there a threat that the wife would kill herself…” (112) surprise you? Why do you think they would have been able to act in this way?
12. Which side of the family initiated the vast majority of divorces?
13. What recourse did a woman have if she wished to obtain a divorce?
14. What was a samurai expected to do if his wife were unfaithful?
15. What would be the consequences if he failed to do so?
16. What does the author surmise was the reality of the situation?
17. How does the author warn the reader against judging the Tokugawa period by his or her own modern standards?
18. The year 1883 is Meiji 18, the Meiji period being the time when Japan began its process of modernization. Does it surprise you that the divorce rate dropped in the modern period? How does the author explain the drop? Why do we generally equate a rise in women’s status with higher rates of divorce?


”Good Wives and Wise Mother” http:/www3.la.psu.edu/textbooks/172/chll_main.htm


This article was written by Prof. Gregory Smits of Penn State. It is a good digest of the changes in the notions of the role of women, and esp. mothers in Japanese culture between the Tokugawa and Meiji periods. It is especially important because Prof. Smits emphasizes that “what appears today to be “traditional” behavior was in fact a recent contruct sponsored by the modern state and connected with the idea of Japan as a [modern] nation…. (1). His sources are also excellent, and they may be useful for research purposes.

Questions:


1. Why can the term “modern” not be simplistically associated with such notions as “progessive,” “up-to-date,” etc.?
2. According to the author, to what kind of women and what percentage of women were such rules as those advanced in Onna daigaku actually applicable?
3. What does the author mean by a “presentist” bias?
4. What is problematic about regarding work life and home life (production // reproduction as well) as separate spheres in the Tokugawa period?
5. For the majority of the Japanese population, were male and female labor differently valued?
6. What is the distinction the author draws between ideological categories and analytical ones/
7. For whom did such dichotomies really apply in the Tokugawa period?
8. For the vast majority of people, what process for the first time enforced the dichotomy?
9. In the Meiji period of modernization, what role did the government find for the earlier samurai values?
10. What further differences were there in the structures of authority between elite samurai families and all others?
11. Why, according to the author, would a man as an individual not be free to divorce his wife arbitrarily?
12. Were the divorced women the stereotypical outcastes?
13. What was the divorce/remarriage situation among commoners?
14. What reason does t he author cite for the drop in divorce rates in the modern period?
15. What options did a woman have for divorce when her husband would not give her one?
16. How were the attitudes towards sexual behavior and freedom different between the elite samurai class and their “inferiors”?
17. How did the Meiji government attempt to close these gaps? Why (for what purposes), did they do so?
18. What, for the Meiji officials, was the vision of ideal womanhood? What was a new element?
19. How did industrialization contribute to the change in gender roles? How did the educational establishment contribute?
20. Why was the role of mother not accorded great significance in the Tokugawa period? If the main caregiver of a child was not the biological mother, who do you think it was?
21. Why did this change in the Meiji? What was the new significance of motherhood?
22. How was the educational system implicated?
23. Who provided women with the “guidance” to fulfill their roles as mothers properly? How does this compare with the US? Think about books on childrearing, the intervention of social services when mothers “fail.”
24. How did women fare in the Meiji legal code?
25. How were sexual mores altered? Who or what were the instruments of change?

 


 

Reading questions for Iwao (April 29 meeting)

Chapter 1-Introduction 1. According to Iwao, how do Japanese and American women differ in their view of equality?
2. What was the status of women in Japan before modernization?
3. What changes occurred with early modernization?
4. Briefly discuss women in contemporary society.
5. Describe the non-confrontational strategy of Japanese society.
6. What is the view of equality by Japanese women?
7. What changes occurred between the older generation and the first postwar generation?
8. What were some of the causes of these changes?
Chapter 2-Akiko 1. What were some of the differences between the life of Akiko and that of her mother?
2. What was Akiko’s life like when her children were small?
3. Why and how did Akiko become involved in activism?
4. Find some examples in Akiko’s life that illustrate some of the information from chapter 1.
Chapter 3-Marriage 1. What was the traditional view of marriage until very recently?
2. In this traditional view, what were the beliefs about marriage and love?
3. What are some ways that Japanese find a spouse?
4. Why do some men find it difficult to find a spouse today in Japan?
5. What do Japanese women expect from marriage according to this chapter?
6. Analyze the charts on pages 70 and 72. What conclusions can you draw from them?
7. How is a good relationship like air?
8. What four reasons does Iwao give for many women choosing to be a stay-at-home mother?
9. Does holding the purse strings in a family give women more independence?
10. How is a good husband “healthy and absent?
Chapter 4-Communication 1. Compare the first postwar generation with the older generation in terms of communication.
2. Discuss the typical man's view of communication at home.
3. What is the view of sexual fidelity in Japanese marriages?
4. How has the rate of divorce changed in recent years in Japan and what are some causes of this?
5. How does retirement affect many marriages?
Chapter 5-Motherhood and the home 1. What is the traditional view of mother in Japan?
2. What is the status given to mothers in society?
3. What are some of the causes given for the declining birth rate?
4. How are children the center of the family in Japan?
5. What is life like for working mothers in Japan?
6. How does the mother-child relationship change or not change as the child reaches adulthood?
Chapter 6-Work as an Option 1. Describe the state of women working in Japan until the 1980's.
2. What is the “M curve” and how does it give insight into the situation of women working?
3. What laws are in place to protect and support working women?
4. What are the two tracks that women can choose in terms of working for a company? How does this affect men?
5. Discuss some of the issues related to women and work today in Japan.
Chapter 7-Work as Profession 1. Discuss some of the issues facing career women today in Japan with regard to pay, promotion, management, and sexual harassment.
2. How have Japanese companies and Japanese society reacted to the changes in women working?
Chapter 8-Politics and no Power 1. What is the history of women's involvement in politics before World War II?
2. What is the current status of women in politics?
3. What occurred in the 1989 elections and why is it so important with regard to women and politics?
4. What is the Doi phenomenon? How has it been viewed by Japanese society?
5. How have the roles of women in politics changed since the 1989 elections?
Chapter 9-Fulfillment through Activism 1. Describe a full-time activist housewife.
2. What are some of the issues these activists seek to address?
3. Why do they become involved and continue their involvement in these issues?
4. What is the status of the women's movement in Japan today?
Chapter 10-Directions of Change

1. What are some of the changes that are expected in terms of women in Japanese society in terms of

a. Expectations and aspirations
b. Sex and strength
c. Homemaking and childrearing
d. The younger generation
e. Male myopia
f. Balance, pragmatism, and endurance




Presentations in Japan (One topic per two-three students)


Group Topic Readings

Mynti and Jen

1 Women and religion Okano, “Women’s Image and Place in Japanese Buddhism”
JSTOR article#(Monumenta Nipppponica): Pandey, Rajyashree. “Women, Sexuality, and Enlightenment”
Sarah and Natalie 2 Education/College women Hara, “Challenges to Education for Girls and women in Modern Japan”
Fujimura-Fanselow, “College Women Today: Options and Dilemmas”
Danielle and Jack 3 Yosano Akiko/New Feminism Rodd, “Yosano Akiko and the New Taisho Debate on Women” (Bernstein)
Fujieda, “Japan’s First Phase of Feminism”
Tanaka, “The New Feminist Movement in Japan, 1970-1990”
Nina, Kelsay, and Matt G. 4 Women and Media Painter, “Tele-representation of Gender in Japan” (in Imamura)
Suzuki, “Women and Television: Portrayal of Women in Mass Media”
Kinsella. “Cuties in Japan”
Michelle and Meghan 5 Women and Language Endo. “Aspects of Sexism in Language”
Okamoto. “Ideology and Social Meanings: Rethinking the Relationship Between Language, Politeness, and Gender.” In Benor
Andrea and Dan 6 Women and Sexuality Funabashi “Pornographic Culture and Sexual Violence”
Matsui “The Plight of Asian Migrant Women Working in Japan’s Sex Industry”
Matt L. and Kristin 7 Women and Theater Robertson. Intro from Takarazuka.
JSTOR# Article: Donald Shively (Harvard Journal of Asiatic Studies). Bakufu Versus Kabuki.


**All readings are in Fujimura-Fanselow and Kameda unless noted**
#Please print JSTOR (full text) articles for yourself, from the college library site.

 

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Things you should know before we go

 

Passport information

 

Helpful hints

Clothing:

Possible gifts for host families:

 

While we are there:

You will need change to buy drinks from vending machines because it will be so hot! You will also need a change purse to carry all of your coins.
You can buy phone cards when we get there which you can use in public telephones. Many phone cards purchased here do not work in Japan!

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General information about Japan

Kids Web Japan

Basic Facts and Figures

Japanese holidays

Education links

Official site of the Ministry of Education, Culture, Sports, Science and
Technology

Elementary and Secondary education information

Basic information about Japanese education

Japan education from International Society for Educational
Information (1995)

Education and Student Life in Japan

Student page (from 1991)

Japanese education

Lots of info about Japanese education

Japanese food and etiquette

Japanese food

More on Japanese food

How to use chopsticks

 

Japanese etiquette

More on Japanese etiquette

 

Japanese newspapers in English

Japan Times

 

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Ise information

Shrine at Ise

Information on the Shrine at Ise

Uji information

Uji city information

More Uji information

About Genji Museum

Nara information

Nara City information

Imura Envelope Company (in Japanese-click on "envelope" to see the types they make!)

 

Kyoto information

Index of famous sites in Kyoto

Fun things to do in Kyoto

About the Gion Matsuri (festival)

 

Himeji information

City web site

Himeji information from a college web site

Himeji information

Frommer's guide to Himeji attractions

Himeji Castle

 

Hiroshima information

General Hiroshima information

Hiroshima Peace Site

Takarazuka information

Takarazuka Sightseeing

Official Takarazuka Revue site (In Japanese)

Osaka information

General information

Osaka shopping

 

 

 

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Staff information

 

Dr. Rose Bundy

Associate Professor of Japanese Language and Literature

Office: Dewing 212C

Phone: 337-7326

email: bundy@kzoo.edu

 

Ms. Jane Blyth Warren

Instructor of Japanese Language and Linguistics

Office: Dewing 211-A

Phone: 337-7408

email: jwarren@kzoo.edu

 

 

 

 

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